A Quote by George Washington

In the composition of the human frame there is a good deal of inflammable matter, however dormant it may lie for a time. — © George Washington
In the composition of the human frame there is a good deal of inflammable matter, however dormant it may lie for a time.
You tend to compose things more in the middle of frame in 3-D than you would in a conventional frame. You can really see composition in 2-D but in 3-D your composition is much more complex. Everything has to be artificially enhanced. But you do gain something else with 3-D: you have a sense of space and heightened reality.
Enthusiasm is the dynamics of your personality. Without it, whatever abilities you may possess lie dormant; and it is safe to say that nearly every man has more latent power than he ever learns to use. You may have knowledge, sound judgment, good reasoning faculties; but no one-not even yourself-will know it until you discover how to put your heart into thought and action.
Of course I lie to people. But I lie altruistically - for our mutual good. The lie is the basic building block of good manners. That may seem mildly shocking to a moralist - but then what isn't?
We may not be able to do any great thing; but if each of us will do something, however small it may be, a good deal will be accomplised for God.
However good you may be you have faults; however dull you may be you can find out what some of them are, and however slight they may be you had better make some - not too painful, but patient efforts to get rid of them.
A book may lie dormant for fifty years or for two thousand years in a forgotten corner of a library, only to reveal, upon being opened, the marvels or the abysses that it contains, or the line that seems to have been written for me alone. In this respect the writer is not different from any other human being: whatever we say or do can have far-reaching consequences.
However incompatible the spirit of Jesus and armed force may be, and however unpleasant it may be to acknowledge the fact, as a matter of plain history the latter has often made it possible for the former to survive.
That a lie which is all a lie may be met and fought with outright, But a lie which is part a truth is a harder matter to fight.
So does a whole world, with all its greatnesses and littlenesses, lie in a twinkling star. And as mere human knowledge can split a ray of light and analyse the manner of its composition, so, sublimer intelligences may read in the feeble shining of this earth of ours, every thought and act, every vice and virtue, of every responsible creature on it.
I may juggle the composition, as the strength of a picture is in the composition. Or I may play with the light. But I never interfere with the subject. The subject has to fall into place on its own and, if I don't like it, I don't have to print it
Some things, however, are true no matter how hard you might try to block them out, and a lie is always a lie, no matter how prettily told. Some doors, once they're opened, can never be closed again, just as some trust, once it's been lost, can never be won back.
And however dark the skies may appear, And however souls may blunder, I tell you it all will work out clear, For good lies over and under.
I've never understood the value of putting someone on television to lie, knowing that they're going to lie ahead of time, knowing that that is their deal: to lie ahead of time. There is zero news value in that.
In a free society, there comes a time when the truth - however hard it may be to hear, however impolitic it may seem to say - must be told.
Good composition is like a suspension bridge; each line adds strength and takes none away... Making lines run into each other is not composition. There must be motive for the connection. Get the art of controlling the observer – that is composition.
There was a time when the average reader read a novel simply for the moral he could get out of it, and however na?ve that may have been, it was a good deal less na?ve than some of the limited objectives he has now. Today novels are considered to be entirely concerned with the social or economic or psychological forces that they will by necessity exhibit, or with those details of daily life that are for the good novelist only means to some deeper end.
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