A Quote by George William Curtis

A man's country is not a certain area of land, of mountains, rivers, and woods, but it is a principle: and patriotism is loyalty to that principle. In poetic minds and in popular enthusiasm this feeling becomes closely associated with the soil and the symbols of the country. But the secret sanctification of the soil and the symbol is the idea which they represent, and this idea the patriot worships through the name and the symbol, as a lover kisses with rapture the glove of his mistress and wears a lock of her hair upon his heart.
A man's country is not a certain area of land, of mountains, rivers, and woods, but it is a principle and patriotism is loyalty to that principle.
Patriotism, or the peculiar relation of an individual to his country, is like the family instinct. In the child it is a blind devotion; in the man in intelligent love. The patriot perceives the claim made upon his country by the circumstances and time of her growth and power, and how God is to be served by using those opportunities of helping mankind. Therefore his country's honor is dear to him as his own, and he would as soon lie and steal himself as assist or excuse his country in a crime.
A true patriot does not confuse government with country. A patriot's loyalty is to his country, and loyalty to country requires holding government accountable.
Loyalty to the true, core values and roots of democracy is what makes a true patriot, not loyalty to a symbol of the country.
The difference between patriotism and nationalism is that the patriot is proud of his country for what it does, and the nationalist is proud of his country no matter what it does; the first attitude creates a feeling of responsibility, but the second a feeling of blind arrogance that leads to war.
Elvis Presley's death deprives our country of a part of itself. He was unique, irreplaceable. More than twenty years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equaled. His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense. And he was a symbol to people the world over of the vitality, rebelliousness and good humor of this country.
Symbols are specific acts or figures, while myths develop and elaborate these symbols into a story which contains characters and several episodes. The myth is thus more inclusive. But both symbol and myth have the same function psychologically; they are man's way of expressing the quintessence of his experience - his way of seeing his life, his self-image and his relations to the world of his fellow men and of nature - in a total figure which at the same moment carries the vital meaning of this experience.
Art does not imitate, but interpret. It searches out the idea lying dormant in the symbol, in order to present the symbol to men in such form as to enable them to penetrate through it to the idea. Were it otherwise, what would be the use or value of art?
As a general principle, I should put it that a man's country is where the things he loves are most respected. Circumstances may have prevented his ever setting foot there, but it remains his country.
Man is/the symbol-using (symbol making, symbol-misusing) animal/inventor of the negative (or moralized by the negative)/separated from his natural condition by instruments of his own making/goaded by the spirit of hierarchy (or moved by the sense of order)/and rotten with perfection.
Patriotism is voluntary. It is a feeling of loyalty and allegiance that is the result of knowledge and belief. A patriot shows their their patriotism through their actions, by their choice.
It is the quality of patriotism to be jealous and watchful, to observe all secret machinations, and to see publick dangers at a distance. The true lover of his country is ready to communicate his fears, and to sound the alarm, whenever he perceives the approach of mischief. But he sounds no alarm, when there is no enemy; he never terrifies his countrymen till he is terrified himself. The patriotism, therefore, may be justly doubted of him, who professes to be disturbed by incredibilities.
Now let us regard the idea of God from the magic standpoint, according to the four elements, the so-called tetragrammaton, the unspeakable, the supreme: the fiery principle involves the almightiness and the omnipotence, the airy principle owns the wisdom, purity and clarity, from which aspect proceeds the universal lawfulness. Love and eternal life are attributed to the watery principle, and omnipresence, immortality and consequently eternity belong to the earth principle. These four aspects together represent the supreme Godhead.
Every patriot believes his country better than any other country . . . In its active manifestation-it is fond of killing-patriotism would be well enough if it were simply defensive, but it is also aggressive . . . Patriotism deliberately and with folly aforethought subordinates the interests of a whole to the interests of a part . . . Patriotism is fierce as a fever, pitiless as the grave and blind as a stone.
The entire country may disagree with me, but I don't understand the necessity for patriotism. Why do you have to be a patriot? About what? This land is our land? Why? You can like where you live and like your life, but as for loving the whole country? I don't see why people care about patriotism.
The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything which is already finished, already made, already existing in the world - it is a symbol of a new world, which is being built upon and which exists by way of people.
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