A Quote by Georges Bataille
Though the immediate impression of rebellion may obscure the fact, the task of authentic literature is nevertheless only conceivable in terms of a desire for fundamental communication with the reader.
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Economic controversy is generally a thankless task. You cannot hope to make any impression on your opponent. Yet he is the only reader on whose interest you can count.
The great work must inevitably be obscure, except to the very few, to those who like the author himself are initiated into the mysteries. Communication then is secondary: it is perpetuation which is important. For this only one good reader is necessary.
Literature is about telling stories. Now, the gift of literature is that, in some lucky cases, reading a novel or a story makes the reader more curious, more open-minded. It may open a third eye in the middle of the reader's forehead.
Every authentic artist is engaged in this creating of the conscience of the race, even though he or she may be unaware of the fact.
Earthly minds, like mud walls, resist the strongest batteries; and though, perhaps, sometimes the force of a clear argument may make some impression, yet they nevertheless stand firm, keep out the enemy, truth, that would captivate or disturbe them.
But what we strive to gratify, though we may call it a distant hope, is an immediate desire; the future estate for which men drudge up city alleys exists already in their imagination and love.
Our politics and science have never mastered the fact that people need more than to understand their obligation to one another and to the earth; they need also the feeling of such obligation, and the feeling can come only within the patterns of familiarity. A nation of urban nomads, such as we have become, may simply be unable to be enough disturbed by its destruction of the ecological health of the land, because the people's dependence on the land, though it has been expounded to them over and over again in general terms, is not immediate to their feelings.
Great art is deeply ordered. Even if within the order there may be enormously instinctive and accidental things, nevertheless they come out of a desire for ordering and for returning fact onto the nervous system in a more violent way.
My job is unbearable to me because it conflicts with my only desire and my only calling, which is literature. Since I am nothing but literature and can and want to be nothing else, my job will never take possession of me, it may, however, shatter me completely, and this is by no means a remote possibility.
With the audience I write for, I want to make sure that the reader is eagerly turning every page. I want each of my books to be an absorbing reading experience, an authentic piece of literature. The worst thing that can happen is for a book to have a chilling effect on the reader, to have a kid pick it up and look at a bunch of footnotes and think, No, I'm not going to read this, it's too intimidating.
When I was growing up, I was the most pretentious person I have ever met. I only read obscure books and watched obscure movies and only listened to obscure music.
The fact that a task cannot be computerized does not imply that computerization has no effect on that task. On the contrary, tasks that cannot be substituted by computerization are generally complemented by it. This point is as fundamental as it is overlooked.
Expulsion from Paradise is in its main aspect eternal: that is to say, although expulsion from Paradise is final, and life in theworld unavoidable, the eternity of the process (or, expressed in temporal terms, the eternal repetition of the process) nevertheless makes it possible not only that we might remain in Paradise permanently, but that we may in fact be there permanently, no matter whether we know it here or not.
Naturally I drew register a little exaggerated, in order to create something new in the sense of a sublime literature that sings of despair only in order to oppress the reader, and make him desire the good as the remedy.
I'm not sure I'm happy with words such as "task" or "role" when they are attached to literature. I prefer to talk about the gift of literature rather than its role or task. You know, gynecology has a role; sex is a gift. And literature is not about sending messages.
For the judging of contemporary literature the only test is one's personal taste. If you much like a new book, you must call it literature even though you find no other soul to agree with you, and if you dislike a book you must declare that it is not literature though a million voices should shout you that you are wrong. The ultimate decision will be made by Time.
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