A Quote by Georges Braque
One has to guard against a formula that is good for everything, that can interpret reality in addition to the other arts, and that rather than creating can only result in a style, or a stylization.
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Photography does deal with 'truth' or a kind of superficial reality better than any of the other arts, but it never questions the nature of reality - it simply reproduces reality. And what good is that when the things of real value in life are invisible?
It is of great importance in a republic, not only to guard the society against the oppression of its rulers; but to guard one part of the society against the injustice of the other part.
I make non-fiction partly because I'm not that good of a writer. My talent, if I have any, is in balancing, capturing and directing reality, rather than creating scenarios.
It has been said that I have three heroes: Christ, Marx and Freud. This is reducing everything to formulae. In truth, my only hero is Reality. If I have chosen to be a filmmaker as well as a writer it is because, rather than expressing reality through those symbols that are words, I have preferred the cinema as a means of expression - to express reality through reality.
It may seem to your conceited to suppose that you can do anything important toward improving the lot of mankind. But this is a fallacy. You must believe that you can help bring about a better world. A good society is produced only by good individuals, just as truly as a majority in a presidential election is produced by the votes of single electors. Everybody can do something toward creating in his own environment kindly feelings rather than anger, reasonableness rather than hysteria, happiness rather than misery.
Everything that you are against works against you. Everything that you are against can be restated in a way that puts you in support of something. When you are able to state what you are for rather than what you are against, you are focusing on the potential for positive change. Once that is in place, you will find whatever you are focusing on expanding.
The application of psychoanalysis to sociology must definitely guard against the mistake of wanting to give psychoanalytic answers where economic, technical, or political facts provide the real and sufficient explanation of sociological questions. On the other hand, the psychoanalyst must emphasize that the subject of sociology, society, in reality consists of individuals, and that it is these human beings, rather than abstract society as such, whose actions, thoughts, and feelings are the object of sociological research.
Without arts programmes there's only reality TV, and reality TV needs the arts to show it what reality is.
Cuisine is not invariable like a Codex formula. But one must guard against tampering with the essential bases.
... what is faked [by the computerization of image-making], of course, is not reality, but photographic reality, reality as seen by the camera lens. In other words, what computer graphics have (almost) achieved is not realism, but rather only photorealism - the ability to fake not our perceptual and bodily experience of reality but only its photographic image.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
It is compassion rather than the principle of justice which can guard us against being unjust to our fellow men.
The process is only a means to an end-creating the painting I want. It doesn't mean anything itself. It's only a way of creating a result.
Christian morality (so called) has all the characters of a reaction; it is, in great part, a protest against Paganism. Its ideal is negative rather than positive; passive rather than action; innocence rather than Nobleness; Abstinence from Evil, rather than energetic Pursuit of Good: in its precepts (as has been well said) "thou shalt not" predominates unduly over "thou shalt.
As so many writers know, the experience of creating an imaginary world is closer to dreaming than it is to normal, grit-your-teeth work. It's preconscious rather than conscious. Ideas fall into your head, and the book writes you, rather than the other way around.
Everybody can do something toward creating in his own environment kindly feelings rather than anger, reasonableness rather than hysteria, happiness rather than misery.
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