A Quote by Georges Braque

Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence. — © Georges Braque
Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence.
For me there is no gap between my painting and my so-called 'decorative' work. I never considered the 'minor arts' to be artistically frustrating; on the contrary, it was an extension of my art.
'Charm' - which means the power to effect work without employing brute force - is indispensable to women. Charm is a woman's strength just as strength is a man's charm.
Charm" — which means the power to effect work without employing brute force — is indispensable to women. Charm is a woman's strength just as strength is a man's charm.
In a way, painting is like wine: it is as old, as simple, as primitive and as varied. Like wine, it is a very specific means of expression, with a limited vocabulary, but vast in its expressive potential.
Painting is an extension of man's means of communication. As such, it's pure, difficult, and wonderful.
That the arts are corrupt does not mean that Christians can abandon them. On the contrary, the corruption of the arts means that Christians dare not abandon them any longer.
There's something of a painting of a woman that represents all women - and by extension, all of humanity - that I just find very exciting. It's a nice distillation, I think, of what it means to be alive.
I'd support life extension by whatever means, from cryonic suspension to cyborgism to coding ourselves into our computers or whatever. There is nothing noble or beautiful or dignified about dying. Like poverty, it is ugly, nasty, brutal and primitive.
Much of the misgiving that Muslims feel for the West stems from our strong emphasis on freedom, always a risky enterprise. I've heard some say they would rather rear their children in a closely guarded Islamic society than in the United States, where freedom so often leads to decadence.
In fine arts, when you make a painting, it's just a painting. But if you make a painting in the entertainment industry, it can be an album cover or a t-shirt or a logo.
Force, force, everywhere force; we ourselves a mysterious force in the centre of that. "There is not a leaf rotting on the highway but has Force in it: how else could it rot?" [As used in his time, by the word force, Carlyle means energy.]
The wheel is an extension of the foot, the book is an extension of the eye, clothing an extension of the skin, electric circuitry an extension of the central nervous system.
The classics are only primitive literature. They belong to the same class as primitive machinery and primitive music and primitive medicine.
The disintegration of the culture starts with the artist. I'm on a crusade to turn the tide in the arts, to restore dignity to the arts and, by extension, to the culture.
The disintegration of the culture starts with the artist. Im on a crusade to turn the tide in the arts, to restore dignity to the arts and, by extension, to the culture.
When I was painting in art school - and I think many painters in the 1980s worked similarly - a finished painting would often be constructed from lots of other paintings underneath. Some of these individual layers of painting were better than others, but that was something that you would often only realise retrospectively.
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