A Quote by Georges Seurat
Some say they see poetry in my paintings; I see only science.
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I do not see how a man can work on the frontiers of physics and write poetry at the same time. They are in opposition. In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say ... something that everyone knows already in words that nobody can understand.
Commenting to him about the poetry J. Robert Oppenheimer wrote.
Who's going to ask a painter to see a diploma? They'd say, 'Can I see your paintings?', wouldn't they?
Only when the habit of one's consciousness to see in paintings bits of nature, madonnas and shameless nudes... has disappeared, shall we see a pure painting composition.
If every individual starts listening to poetry, watch plays, and see paintings, they'll become a better human.
My position is a naturalistic one; I see philosophy not as an a priori propaedeutic or groundwork for science, but as continuous with science. I see philosophy and science as in the same boat--a boat which, to revert to Neurath's figure as I so often do, we can rebuild only at sea while staying afloat in it. There is no external vantage point, no first philosophy.
A definition of poetry can only determine what poetry should be and not what poetry actually was and is; otherwise the most concise formula would be: Poetry is that which at some time and some place was thus named.
When you say to a person of colour, 'When I see you, I don't see you Black; I just see everybody the same' think about that. You don't have the right to say to a person, 'I do not see you as you are; I want to see you as I would be more comfortable seeing you.'
As the skies appear to a man, so is his mind. Some see only clouds there; some, prodigies and portents; some rarely look up at all; their heads, like the brutes,' are directed toward Earth. Some behold there serenity, purity, beauty ineffable. The world runs to see the panorama, when there is a panorama in the sky which few go to see.
I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.
Some of them [family names] have sentimental value for some reason or another, some of them just sound beautiful. Some of them are because of people that are meaningful to us in our lives. So it's hard to say which one we'll pick. Sometimes they say you have to see the child before you decide. So maybe when we see her we'll make a last-second decision.
[Pablo] Picasso really changed my life. It's strange to say so, but I started to see some Picasso paintings very early. I was very young, and he was not so much known.
I see blindness more as an ability and sight more as a disability because there are some people with sight who tend to judge others by what they see on the outside but I don't see that. I don't see the skin color, the hair style or the clothing people wear; I only see that which is within a person.
Whatever else anyone says he was, he may have been. But Tupac really was a great American artist. The passage of time allows us to see things as they really are: We see the poetry; we see the personality; we see different sides.
My paintings don't simply represent what I see; they present viewers with what I want them to see.
All I want anyone to get out of my paintings, and all I ever get out of them, is the fact that you can see the whole idea without any confusion…What you see is what you see.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
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