A Quote by Georges St-Pierre

I like to think I'm like water that adapts to its surroundings and eventually finds a way in. — © Georges St-Pierre
I like to think I'm like water that adapts to its surroundings and eventually finds a way in.
Everybody says women are like water. I think it's because water is the source of life, and it adapts itself to its environment. Like women, water also gives of itself wherever it goes to nurture life.
I think it's a terrible system, but money in politics is like water running downhill -- it finds its way.
Natural movement is the shortest way to an effective result. Like the way the water runs, it always finds the right way.
Reason adapts impulses and beliefs into the real world; rationalization, on the other hand, adapts the concept of reality to the impulses and beliefs of the individual. Reasoning discovers the true cause of our acts, rationalization finds good reasons for justifying our acts.
however many resolutions one makes, one's pen, like water, always finds its own level, and one can't write in any way other than one's own.
I'm not a very savvy operator - it's not who I am, it's not what I do - and so I have to go at things in ways that suit me. I just write what I write and the stuff finds its vagrant way in the world, somehow. The venues appear; the work always finds a home, eventually.
Study water. Try to grab a hold of water, and it will always elude you. You just have to let yourself be in it. It's soft, and it overcomes anything that's hard. Put the hardest substance - say, titanium - out there, and let water flow over it. Eventually, patiently, peacefully, the water will just wear it away. Also, water will enter anywhere - through any opening at all. So, let yourself be like that. God is in nature, everywhere and always. And we have so much to learn.
A healthy plant is one that adapts best to the situation in which it finds itself. There is no objective measure of this.
Highest good is like water. Because water excels in benefiting the myriad creatures without contending with them and settles where none would like to be, it comes closest to the way.
I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
The way that the background fields generates mass is rather like the way in which when light passes through a transparent medium like glass or water, it gets slowed down. It no longer travels with the fundamental velocity of light c. And that's the way to think of the generation of mass.
My mother once told me I was like water. Water can carve its way even through stone. And when trapped, water makes a new path.
It was like letting go and falling back into water and seeing yourself grinning up through the water, your face like a mask, and seeing the bubbles coming up as if you were trying to speak from under the water. And how do you know what it's like to try to speak from under water when you're drowned?
When you use the language of 'fact checking' to talk about a film, I think you're sort of fundamentally misunderstanding how art works. You don't fact check Monet's 'Water Lilies.' That's not what water lilies look like; that's what the sensation of experiencing water lilies feel like. That's the goal of the piece.
I love the feeling of the weightlessness. I always love being in the water and to combine jumping off the side into the water feels like a different and fun way to be able to swim. I feel free like I could do anything
I do think the challenge, in a way for me, is to write a narrative film and when you finish watching it you feel like it's a collage. You tell the narrative, you tell the story, but you feel like you've created this tapestry. But it also has a shape, a story. So I think there's a middle ground that I try to strike... away from where everyone else seems ready to go, which is, setup, payoff. You know, He's afraid of water, oh, and at the end he's swimming in water - oh, my God. I hate that stuff.
This site uses cookies to ensure you get the best experience. More info...
Got it!