A Quote by Georges St-Pierre

I went to Jerusalem, the dead sea, it was just amazing. Because what we see in the TV, I'm sorry to say it, I don't want to insult nobody, but a lot of the image that we see from the middle east in Canada - It's sad to say but it's always bad stuff. I was thinking coming here it would be a lot of military, security, everybody would be a little more on the edge, but I see it's amazing. It feels a little bit similar to Miami.
When you say to a person of colour, 'When I see you, I don't see you Black; I just see everybody the same' think about that. You don't have the right to say to a person, 'I do not see you as you are; I want to see you as I would be more comfortable seeing you.'
I see a lot of people who have amazing stories but have been told that their work, their lives, and their stories and not the stuff of literature. Or they're first-generation college student, first-generation American, and their family just doesn't understand the art world. They have a lot of guilt. "We came all the way from [wherever] so you could do this?" Those people may not be showing the moxie, but that's because they don't even know what's possible. So I want to jump in and say, "Actually, your story is amazing, and I believe in you.".
If you were to go, and hopefully someday you will, you would see a lot of paintings of dead people. You'd see Jesus on the cross, and you'd see a dude get stabbed in the neck, and you'd see people dying at sea and in battle and a parade of martyrs. But Not. One. Single. Cancer. Kid. Nobody biting it from the plague or smallpox or yellow fever or whatever, because there is no glory in illness. There is no meaning to it. There is no honor in dying of.
I don't see things the way my parents do. They can look at a tree and see something amazing, whereas I just see a tree. That's not to say I don't appreciate its beauty. When I watch the sea in somewhere like Sardinia, I see the beauty in that.
'Speak when you're spoken to!' The Queen sharply interrupted her. 'But if everybody obeyed that rule,' said Alice, who was always ready for a little argument, 'and if you only spoke when you were spoken to, and the other person always waited for you to begin, you see nobody would ever say anything, so that - ' 'Ridiculous!' cried the Queen. 'Why, don't you see, child - ' here she broke off with a frown, and, after thinking for a minute, suddenly changed the subject of the conversation.
I could see America playing a slightly smaller role in the Middle East but I would not see us abandoning the region and just say "Oh," like I said, "China, Russia, it's yours now. Global focus is just on our hemisphere." I don't see that happening.
It's really cool to see how many people try to imitate me or wear my stuff. I get a lot of Instagram videos of people doing my entrance. I think that's so cool. To see the variety of people, little girls, guys, doing it. I never really thought that would happen. It's amazing.
So sound art I'm always intrigued with how little we use of other senses and we just prioritize the eye and you just want to see everything and navigate. You know the art world is similar. Like I wish people would use their ears a lot more.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
We didn't have a script, but with Jean-Luc we didn't really need one. It was like an understanding between us. He would say, 'Anna, a little bit quicker or a little bit slower.' That was all. We didn't do a lot of retakes. With some other actors I know he would do a lot of retakes, but not with me.
People say: 'Oh, but would you be happy for your show to go on BBC3 if it was just online?' If I was sat here telling you I had just signed a huge deal with Netflix you'd be going: 'Wow, that's amazing.' You can't see it as 'Oh, it's no longer a channel because it's not on TV.'
I don't hate the music, but I hate the process. When I look at it, I don't see song titles and artwork, I see the fight - I see the emotions, the blood, sweat and tears. There are a couple of songs on there that I love; but 'Lasers' is a little bit of what you love, a little bit of what you like, and a lot of what you had to do.
It takes an entire book to tell you what it was like. To see Robert De Niro play your father - it's not a simple answer. To see Julianne Moore play your mother. To see Paul Dano play you - that's an even more inscrutable question... he's amazing, he's totally amazing, but I can't really say if he's a good me or not.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
When people come to see me, they'll see what they know me for. Hits from the past, but I always mix in a little something new. New stuff. Old stuff. It creates a great show. There's a lot of crowd participation. A lot of interaction and energy. That's what I do best.
We have an amazing, strong, powerful [Republican] party that truly does want to see America be great again, and it will see it. And it's going to see it a lot sooner than you think, believe me.
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