A Quote by Georgia Nott
The best part about performing is when you can fill the room with energy and you get that vibe back.
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A big part of making a good record is really getting a vibe, and a vibe is a mysterious thing. The vibe kind of exists in the air in the room. It's not just all the stuff you put on there, and the specific notes and arrangements and all that. That's like half of it. The other half is just the air, and just the spirit.
I love performing with a band way more than a track, just because it gets a whole new kind of vibe going and gets the energy up. You actually get to play off of the other people that are around you.
You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.
That's the best part of being a DJ. Everyone's looking at you and really, I'm a shy person; I like to stand in the back of a room, not talking to many people. But having a chance to play music, the stuff that I want to hear, and getting people going, it's just a different kind of vibe. It's like a different side of me.
The NBA is the best league in the world. It's no way you're going to be able to fill the void that the energy of performing before 20,000 people every night gives you. That's just impossible. So, I just try and move on from that and let it be a moment in time and leave it alone.
I went into performing for the community. Being backstage with your company of fellows is the best part of working in live theater. That energy, that combined focus, the synergy - it's addictive.
Of course I love when people are quiet, but I also love when people are comfortable. I love when people emote. The flip side of having a totally silent audience is that they're less likely to react to you in the space, and I think that's one of the great things about performing live: you get energy from the audience, and you give energy back to them. There's interaction.
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
Looking the part helps get the chance to fill it. But if you fill the part, it matters not if you look it.
I don't get tired. I get beat up. You keep chopping on a tree, you need to give the tree some rest so the chlorophyll will fill back up and the tree gets its energy back.
I don't know if I have a favorite part of being an artist. I do love being onstage and performing with my band. I also love rehearsing with them and creating the show, that's always a fun part. But there's also nothing like being in the studio and being able to get back to myself and get back to my feelings.
When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'
I love performing in New York. Just something about the energy that the crowd gives you, you give it back, a lot of interaction.
I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it-stones and buildings and trees and air - but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.
I never sing a song more than twice because my fear of waning excitement for a piece is part of my troubles. I so rely on vibe, energy and emotions that the technical part occurs to me last.
When I walk into a room in its grey state, I kind of understand what vibe the room should give out when it's done. Sometimes, it's about serenity, sometimes it's about love, it could be about a married couple or, could be about warmth and companionship with your family home, so it depends on the space.
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