A Quote by Georgia O'Keeffe

I am trying with all my skill to do a painting that is all woman, as well as all of me. — © Georgia O'Keeffe
I am trying with all my skill to do a painting that is all woman, as well as all of me.
Before I put brush to canvas, I question, 'Is this mine? ...Is it influenced by some idea which I have acquired from some man? ...I am trying with all my skill to do a painting that is all of women, as well as all of me.
Reading off a Teleprompter is an easy skill to do passably well and a difficult skill to do very well. I still have room for improvement there. I still talk too fast and I'm trying to slow myself down.
One woman is fair, yet I am well; another is wise, yet I am well; another virtuous, yet I am well; but till all graces be in one woman, one woman shall not come in my grace.
It was a figure painting class, where you had a model, and [Robert von Neumann ] would wander around and he'd come up behind someone and say, "Well, what are you trying to do?" And if you told him what you were trying to do, he would then proceed to discuss this with you and suggest things that you might look at and ways in which you could improve what you were attempting to do, etc - never worked on your painting, never touched your painting but talked extensively about what you were trying to do.
I am human. I am messy. I'm not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers. I am not trying to say I'm right. I am just trying - trying to support what I believe in, trying to do some good in this world, trying to make some noise with my writing while also being myself.
I have never seen a beautiful painting of a beautiful woman. But you can take an ugly woman and make a beautiful painting of her. It is the painting itself that should be beautiful.
When I am in a painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc, because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
Sometimes you need to live with a painting for a while. Starting a painting can be easy, but finishing it... that's the skill of the painter, how you finally know when it's done.
Am I the woman I think I am, the woman I want to be? More importantly, am I the woman the Savior needs me to be?
I am a bad feminist and a good woman. I am trying to become better in how I think and say and do - without abandoning what makes me human.
I bought a painting in Madrid on my first trip there too and a lot of people say, 'Well it's not the greatest painting' and I say, 'It is to me.' OK, you can look at a beautiful painting and say, 'That's beautiful' but to me, it feels warmer to fill my home with pictures of friends and family and paintings of places I've gone. That's what I want to come home to.
Something in me knows where I’m going, and - well, painting is a state of being. ... Painting is self-discovery. Every good artist paints what he is.
An artist makes a painting, and nobody bugs him or her about it. It's just you and your painting. To me, that's the way it should be with film as well.
When I look at a painting it isn't only the painting I see but the thing that I am. If there is more in the painting that I am, then I won't see it.
I am not comfortable telling people I am trying stand-up because to me that implies confidence. I'm - well, I'm not.
Who am I? I'm a survivor. I'm a woman with tremendous inner resources and resilience. I care about people. I believe in 'Do unto others as you would have others do unto you,' and I live by that. I am becoming authentic, and that's important to me. I have surpassed both my parents in terms of emotional stability, happiness and well-being. And I'm a lucky woman. I've deserved my luck.
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