A Quote by Georgia O'Keeffe
The unexplainable thing in nature that makes me feel the world is big fat beyond my understanding – to understand maybe by trying to put it into form. To find the feeling of infinity on the horizon line or just over the next hill.
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What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.
IMBECILE!" the chef shouted. "Next time why don't you just put your whole HAND in the food, hey? Yes, your whole hand, or maybe your FACE! I arrange the food on plates with care, are you understanding what I am telling you? It is part of the art form of cooking, yes? A lovely plate of food is a thing of beauty! And then you, NUMBSKULL, come along and put your fat greasy FINGERS all over my plate, and SHAKE the plate, and move my food all around the plate until it looks like pigs' vomit!" "Chef Vlad!" I cried out in delight.
It's an unexplainable feeling, an expression. It's a touch, it's a feel. Once you feel it, it's like no other thing in the world.
You can love somebody through anything when they're your child, and now that I understand that, it makes me work better with people; it makes me more understanding of how much dedication and love I can put into each line. There's no throwaway lines.
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
I just don't know where home is. There's this promise of happiness out there. I know it. I even feel it sometimes. But it's like chasing the moon - just when I think I have it, it disappears into the horizon. I grieve and try to move on, but then the damn thing comes back the next night, giving me hope of catching it all over again.
I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.
When I was younger, I was a little bit fat. I wasn't, like, big-time fat; I was just overweight - maybe around when I was 13 or 14. At that time, I wasn't practicing that much; tennis was just a hobby. But it wasn't easy to feel that way.
How we come to be, and how we are what we are, is beyond any understanding. I have been obsessed by this, trying to understand the very nature of my existence.
They stood there, King of the Hill, Top of the Heap, Ruler of All They Surveyed, Unimpeachable Monarchs and Presidents, trying to understand what it meant to own a world and how big a world really was.
In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with the world, the nation and me, but I'm always trying to push the form, too, without being too obvious that I'm trying to push the form.
Whether I'm trying to or not, I have this inherent feeling that music is uplifting; it makes you feel victorious, and that makes you feel like you can take on the world.
Maybe I could have loved you better. Maybe you should have loved me more. Maybe our hearts were just next in line. Maybe everything breaks sometime.
By trying to give an artistic approach through my book I stepped unwillingly into other fields. Like a dentist being asked about a throat ache on a much more relevant scale, I was caught in trying to explain what was unexplainable for me. In the end, trying to explain why it was unexplainable finally led to a huge general insecurity in dealing with the subject at all.
If there is something in nature you don't understand, odds are it makes sense in a deeper way that is beyond your understanding. So there is a logic to natural things that is much superior to our own. Just as there is a dichotomy in law: 'innocent until proven guilty' as opposed to 'guilty until proven innocent', let me express my rule as follows: what Mother Nature does is rigorous until proven otherwise; what humans and science do is flawed until proven otherwise.
Cate Blanchett is mesmerizing. I don't know why. It's beyond my understanding. Why we all want to work with her is she elevates the rest of us. She's just got some ethereal grace and elegance that's beyond me, and an acute understanding of human nature. She's just exquisite. She's otherworldly.
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