A Quote by Georgia O'Keeffe
I am not an exponent of expressionism. I don't know exactly what that means, but I don't like the sound of it. I dislike cults and isms. I want to paint in terms of my own thinking and feeling.
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I rarely know exactly what I want to do, but always know exactly how I want it to make me feel. Feeling always leads the sound!
I very much dislike doctrinaire liberals - they want to own your minds. And I don't like reactionary conservatives. I like to face issues in terms of conditions and not in terms of someone's inborn political philosophy.
I'll shout it if they want: Down with isms! Up with a Left that is capable of thinking outside the box! In other words, I am more than completely cured of simplifications, of dividing the world into good and evil, of thinking in black and white. I have repented!
I'm intrigued and drawn to people who know exactly who they are, who know what they want, who live life on their own terms.
We explored cults in 'Sound of My Voice.' I think cults have an underlying spiritual quality.
The surface below your feet is so special. It is not like a boxing ring, not like a wrestling mat, it's its own thing, and when I am there, I am floating, I am moving with total freedom, I am free. And when you know, when you just know you are going to win, like I do, there is no better feeling.
People criticize you for trying new things. I think, 'I'm new! I'm 22!' I don't know exactly what my sound is or what I want my album to sound like, so I'm not releasing it yet. While I'm experimenting, I'll let you in on the journey, and you can hear it for free.
I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality; I didn't want the work to seem like a commodity.
I, myself, have killed six people. All random, all undetected, no way to trace them to me. And, let me tell you, there's nothin' like it. It's a great feeling. Yeah, I know, you're thinking. 'Aw, he's a comedian. He's just sayin' that stuff.' Good. That's exactly what I want you to think.
A camera is wild in just about anybody's hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction.
We realize we can't go around saying and doing what we're actually thinking and feeling. If we all did that, life would be a lunatic asylum. Indeed, that's how you know you're talking to a lunatic. Lunatics are those poor souls who have lost their inner communication and so they allow themselves to say and do exactly what they are thinking and feeling and that's why they're mad.
It was Kant who first rejected the Cartesian premise of the mind's self-transparency: the idea that when it comes to knowing our own minds, we just know what we are thinking or feeling, and do not have to learn how to perceive ourselves thinking or feeling.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
If you're an impressionistic painter and you want to paint expressionism, you've got to change. You've got to figure out a way to do it and do it. If you've been playing jazz all your life and you want to start to play rock n' roll, blues, then do it.
When I began as an artist, I already did not like expressionism, or abstract expressionism, because abstract painting had already been done. I did not want to belong to any one group or the other, and I'm not one or the other.
My high-school coach Tony Reginelli was kind of famous for 'Reggie-isms,' kind of like 'Yogi-isms.' He always said if you want to be a good quarterback, when sprinting left you want to be amphibious and throw left-handed. I told him, 'You mean ambidextrous, coach?'
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