The greatest work of art about New York? The question seems nebulous. The city's magic and majesty are distilled in the photographs of Alfred Stieglitz and Paul Strand.
You know exactly what I think of photography. I would like to see it make people despise painting until something else will make photography unbearable. (In a letter to Alfred Stieglitz)
I never knew [Alfred Stieglitz] to make a trip anywhere to photograph. His eye was in him, and he used it on anything that was nearby. Maybe that way he was always photographing himself.
There are a lot of photographers who have influenced me; some of the great ones, like Herb Ritts, Helmut Newton, and [Alfred] Stieglitz. I draw from all of them. You're supposed to steal from the good ones.
I've always loved those portraits that Alfred Stieglitz did of Georgia O'Keeffe over several years, which really convey the idea that there's not one image that can capture a woman, because we're changing all the time.
Technically perfect, pictorially rotten. (Stieglitz's standard comment on photographs he rejected for publication in The American Amateur Photographer.)
Stieglitz conceived, though he never carried out, a series of photographs of the heads of stallions and mares, of bulls and cows, in the act of mating, hoping to catch in the brute an essential quality that would symbolize the probably unattainable photograph of a passionate human mating.
I make photographs and still make photographs of the natural environment. It's a love because that was part of my life before I was involved in photography.
I believe that photography can only reproduce the surface of things. The same applies to a portrait. I take photographs of people the same way I would take photographs of a plaster bust.
It pleases me to take amateur photographs of my garden, and it pleases my garden to make my photographs look professional.
I would love to continue to model. It just depends on what opportunities I get, of course, I want to always stay true to who I am and make sure in everything I do God is getting the glory. If modeling is one of those things that keeps presenting itself to me, I would love to do it and continue to get more involved.
I kind of look at my modeling career and the Alfred Hitchcock years as stepping stones to what I'm doing now.
I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.
If you wanna give me an award, I'll take it. Just don't make me go to the party afterwards.
My parents would love to keep me near. They're protective, and they want their little girl home, but I feel that a smart move would be for me to go to college in New York and continue modeling there.
Love me, love me, love me, love me, love me, love me, love me, I'll be anybody you want me to be. Use me. Change me. I can be thin with big breasts and big hair. Take me apart. Make me into anything, but just love me.