A Quote by Georgia O'Keeffe
I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.
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Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
I know I can not paint a flower, I can not paint the sun on the desert on a bright summer morning but maybe in terms of paint colour I can convey to you my experience of the flower or the experience that makes the flower of significance to me at that particular time.
If you paint a building shocking pink, that has no scale, it is just a huge mistake, but it's not in the scale of the city to have things like that. You know. So, not only because it's not appropriate, not only because it's offensive to the environment, I mean but among them also because that quantity of that color in the urban scale, is out of scale.
The first recognition of beauty was one of the most significant events in the evolution of human conciousness... seeing beauty in a flower could awaken humans, however briefly, to the beauty that is an essential part of their own innermost being, their true nature.
He could totally be your boyfriend," [Angel] went on with annoying persistence. "You guys could get married. I could be like a junior bridesmaid. Total could be your flower dog.
You could use a flower, a candle flame, anything you want that's suggestive of beauty and eternality.
The most remarkable feature about the magnitude scale was that it worked at all and that it could be extended on a worldwide basis. It was originally envisaged as a rather rough-and-ready procedure by which we could grade earthquakes. We would have been happy if we could have assigned just three categories, large, medium, and small; the point is, we wanted to avoid personal judgments. It actually turned out to be quite a finely tuned scale.
If one could only reproduce nature, and always with less beauty than the original, why paint at all?
I see a flower. It gives me a sensation of the beautiful. I wish to paint it. And as soon as I wish to paint it I see the whole subject - flower - changed. It is now an art problem to resolve.
There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
Could it be that toxic mimics are toxic because they ignore responsibility, they ignore relationship, they ignore presence, they substitute control for fluidity and choice?
A very common flower adds generosity to beauty. It gives joy to the poor, to the rude, and to the multitudes who could have no flowers were nature to charge a price for her blossoms.
The Emoluments section shares with the Constitution. That`s not a law that Congress could change or the president could ignore.
Let's be honest, we all love a roast, but Sunday lunch could be a huge plate of salade nicoise; it could be eggs benedict; it could be a barbecue. The important thing is you're making an effort, and you're all together.
If they could say that to their patients, it could be a way to treatment, as in both working on it and preserving it. That could give a patient the faith to fully experience that beauty, without reliving the torment.
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