A Quote by Georgia Toffolo
I see comments occasionally about the way I speak but it goes straight over my head. You speak the way you speak and it is a silly thing to judge someone on.
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I always think if you speak to someone in their second language, you speak to their head. If you speak in their first, you speak to their heart. I've always tried to let players see that.
Tell me the word that will win you, and I will speak it. I will speak the stars of heaven into a crown for your head; I will speak the flowers of the field into a cloak; I will speak the racing stream into a melody for your ears and the voices of a thousand larks to sing it; I will speak the softness of night for your bed and the warmth of summer for your coverlet; I will speak the brightness of flame to light your way and the luster of gold to shine in your smile; I will speak until the hardness in you melts away and your heart is free.
For the only way one can speak of nothing is to speak of it as though it were something, just as the only way one can speak of God is to speak of him as though he were a man, which to be sure he was, in a sense, for a time, and as the only way one can speak of man, even our anthropologists have realized that, is to speak of him as though he were a termite.
I don't speak with proper grammar. I don't speak with dialogue attribution. I don't speak with quotation. I don't care about any of that stuff. It's about rhythm, and it's about what's in their [the character's] head, and what feels more natural. And it's about speed. I want things to move.
Do not oppose because in opposing the tenderness of the feeling level is crushed. That is why we say Speak the Truth but see that you are speaking delicately. Do not speak non-truth and do not speak in a non sweet way, so that the feeling is nourished.
We do inherently know that poetry is about the way we speak. It's about where we pause, where we drop our words in the middle of a sentence. It's about the rhythm and the cadence of the way we speak. It's about putting that down at the end of the day.
Most people think it's a linear relationship: I speak, you listen. Actually, it's a circle, because the way you listen affects how I speak, and the way I speak affects the way you listen.
Like, even when I speak, I think I speak the same way I write. I kind of see it a certain way, and it leads me to write it exactly how I'm seeing it.
Somehow you get past languages. I don't speak Mandarin. I don't speak fluent Italian. I don't speak German. But it's amazing how when you need to get something done, it finds a way.
My parents brought me up to speak the way I speak, to hold my head up high, to know wrong from right and to have manners.
When you speak universally, it means that you speak from the Moon, you speak from the Sun, from the stars; you speak by being in every corner of the universe!
We're painting the same people all our life - it's just the way we look at them that changes. If you experience trauma, you can speak about it in so many different ways. You can speak about landscape, you can speak about your food; it's always different. Trauma is the beginning of life as an artist.
When men talk about war, the stories and terminology vary - it's this battle, these weapons, this terrain. But no matter where you go in the world, women use the same language to speak of war. They speak of fire, they speak of death, and they speak of starvation.
Elegance of language may not be in the power of all of us; but simplicity and straight forwardness are. Write much as you would speak; speak as you think. If with your inferior, speak no coarser than usual; if with your superiors, no finer.
I speak English, obviously, Afrikaans, which is a derivative of Dutch that we have in South Africa. And then I speak African languages. So I speak Zulu. I speak Xhosa. I speak Tswana. And I speak Tsonga. And like - so those are my languages of the core. And then I don't claim German, but I can have a conversation in it. So I'm trying to make that officially my seventh language. And then, hopefully, I can learn Spanish.
The main issue when it comes to hiring someone from Asia is the language barrier. It's difficult to book someone when they don't speak the language and they can't deliver the lines or even speak to the director. But in terms of Asian-American actresses, we all speak it fluently!
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