A Quote by Georgia Toffolo

I think if people want to have surgery then fine, if it makes you feel better, brilliant. But it does annoy me when you're being accused of it, and it's not nice when people are commenting being like 'Eughh, what has she done to her face?' And I'm like 'Oh my god, I've done nothing, this is actually my face.'
Everybody literally thinks I've had plastic surgery. My mom's family call her, and they're like, 'Did Hailey do her lips? Did she do her nose?' Do people want me to go to a doctor and have them examine my face so they can tell people I haven't? My face has just matured. I grew into my looks.
Her face ... was a one-of-a-kind, a surprising variation on a familiar theme - a variation that made observers think, Yes - that would be another very nice way for people to look. What Beatrice had done with her face, actually, was what any plain girl could do. She overlaid it with dignity, suffering, intelligence, and a piquant dash of bitchiness.
Plastic surgery and breast implants are fine for people who want that, if it makes them feel better about who they are. But, it makes these people, actors especially, fantasy figures for a fantasy world. Acting is about being real being honest.
Acting is, to me now, artificial. Seeing people suffer is real. It couldn't be more real. Some people don't like to look at it in the face because it's painful. But if nobody does, then nothing gets done.
You think I'm cute?" He said thinkly, pulling on her hand. She was glad he couldn't see her face. "I think you're..." Beautiful. Breathtaking. Like the person in a Greek myth who makes one of the gods stop caring about being a god.
I just wanted to honor who Emily was. She's just a strong woman. Through my journey of playing her, I found a lot of strength, and I think that I've changed, as a female, in the way that I carry myself. To go through something traumatic, like getting your face scarred, it made me analyze vanity a lot. When you have a little pimple and you're like, "Oh, my god, there's an alien on my face!," you feel like it's magnified.
All of a sudden I was Joan [Mad Man] and they're going, "Oh, so she plays a badass in this." And I'm like, "Oh my god, I get to play badasses." Firefly was a little bit of that, but she started out as a mouse and then she turned into a dragon. But I never really had that opportunity. So all of a sudden people were like, "Oh, do you feel like you're being typecast?" I would say, "No, this is just opening the doors." No one thought I could do it and someone finally trusted me to do it.
My Virgen de Guadalupe is not the mother of God. She is God. She is a face for a god without a face, an indigena for a god without ethnicity, a female deity for a god who is genderless, but I also understand that for her to approach me, for me to finally open the door and accept her, she had to be a woman like me.
And then she frowned, and shook her head, then put her arms around him once more, pressing her face into his shoulder, making a noise that sounded almost like rage. 'What's up?' he asked. 'Nothing. Oh, nothing. Just...' She looked up at him. 'I thought I'd finally got rid of you.' 'I don't think you can.' he said
There are no words for how much I will miss her, but I try to kiss her so that she'll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
I have a weird thing against facials. I feel like all day my face is being touched and messed with on set, so I don't want more people touching my face!
Her face felt like it was scattered in pieces and she could not keep it straight. The feeling was a whole lot worse than being hungry for any dinner, yet it was like that. I want--I want--I want--was all that she could think about--but just what this real want was she did no know.
I didn't want everybody to be pretty. I didn't want everybody to be thing. I didn't want everybody to be a size 4. I wanted it to be like the world. I think that we got there, and that was really special. I wanted texture and grit to everything. And then, you have an actress like Sarah Gadon, where you could rub dirt on her face and she'd look like she stepped off of a Vogue cover, and that's fine.
Some people are really nice about it. I get Saudi princes and famous people stopping me in L.A. and saying, 'You're Stifler's mom. Can I take a picture with you?' But then you get people like her putting their camera in your face without asking. They think they can do whatever they like.
I'm Method trained. How is this character like me? What does she think of her mother? What does her mother think of her? It's like construction, and then, yes, you hope you're talented and that the universe aligns and captures the kind of laborer's work you've done and whatever else sprinkles down on you, and it's all caught on film or onstage.
I don't yell back at my mother. When I'm angry or scared or upset, I don't yell. I stay quiet. I've seen how she is, how she would get with Kent and with me and with other people, life if someone at the pharmacy got in the wrong line or asked too long a question, or if someone on the bus accidentally bumped her. I've watched her my whole life, the way people react to her. It doesn't actually help you get what you want, yelling and being like that. It only makes people think bad of you.
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