A Quote by Georgina Campbell

You just never see people of different ethnicities in period dramas. — © Georgina Campbell
You just never see people of different ethnicities in period dramas.
Without a doubt, the majority of historical period dramas tend to be told from a certain perspective. At least in America, black people have some visibility in period dramas, although it's usually in the form of slaves or servitude.
Oh, I love period dramas, especially period dramas starring Colin Firth. I'm like Bridget Jones if she were actually fat." "Oh... Colin Firth. He should only do period dramas. And period dramas should only star Colin Firth. (One-star upgrade for Colin Firth. Two stars for Colin Firth in a waistcoat.) "Keep typing his name, even his name is handsome.
I love all Daphne du Maurier's stuff. And just enjoying period dramas, really... wanting to do something drastically different from 'Nighty Night', the chance to write very different language.
I do want to say, though, in terms of the people who are coming to see [Donald Trump], how thrilling it was to turn the corner and see people from entertainment, from the private sector, people of different races and ethnicities.
I have to also get into producing if I want to see these stories being made... Let's venture out and do projects with people of different ethnicities: not just black but also Asian actors and Asian superhero films. Just an equality across the board.
People in big studios are like, 'People want to see other people who are skinny and happy and amazing.' But I think, nowadays, they are realising that what sells is real people from all different backgrounds, ethnicities, cultures and size. People want to see themselves represented on screen, and it's a real cool thing for everyone.
We need to include more writers from different backgrounds and ethnicities. We need to see different experiences instead of the same people writing the same kinds of stories.
Period dramas have their own challenges. One must work hard to ensure that you don't just embrace the character you are playing, you also have to understand the smaller nuances of the period to deliver an authentic experience.
I love period pieces. But it's hard to get money to make costumed dramas, so we'll see.
By importing into the U.K. the divisive politics of anti-racism from America, with its demented campus dramas and neuroses about 'safe spaces', 'micro-aggressions' and 'cultural appropriation,' they make it almost impossible for people of goodwill of all ethnicities to rub along together.
Houston is kind of a melting pot. There are many different cultures and ethnicities represented out there, even on my team. It's really cool: you'll see so many different things.
I think that period dramas just need zombies.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
Diversity is just 'the world.' It's different cultures, different backgrounds, different ethnicities, different religions, genders, sexual orientation, shapes, sizes. That is the world, but we call it 'diversity' because there is this one type that has always been accepted in the media, and it's finally starting to change.
We could do something set in the 21st century, where I travel around to lots of different places and we talk to different ethnicities and lots of different racial and religious minorities, so it's not just the black-and-white America; it hasn't been that since the '90s.
There are a lot of period dramas out there but not many opportunities for a mixed-race actress to play a period role.
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