A Quote by Gerald Brenan
Middle age snuffs out more talent than even wars or sudden death does.
Related Quotes
Middle age snuffs out more talent than even wars or sudden death.
Middle age snuffs out more talent than ever wars or sudden deaths do.
The hour of death waits for no order. Death does not even come from the front. It is ever pressing on from behind. All men know of death, but they do not expect it of a sudden, and it comes upon them unawares. So, though the dry flats extend far out, soon the tide comes and floods the beach.
It is old age, rather than death, that is to be contrasted with life. Old age is life's parody, whereas death transforms life into a destiny: in a way it preserves it by giving it the absolute dimension. Death does away with time.
Wars do not end wars any more than an extraordinarily large conflagration does away with the fire hazard.
Now it must be asked if we can comprehend why comets signify the death of magnates and coming wars, for writers of philosophy say so. The reason is not apparent, since vapor no more rises in a land where a pauper lives than where a rich man resides, whether he be king or someone else. Furthermore, it is evident that a comet has a natural cause not dependent on anything else; so it seems that it has no relation to someone's death or to war. For if it be said that it does relate to war or someone's death, either it does so as a cause or effect or sign.
De Cometis
People fear death even more than pain. It's strange that they fear death. Life hurts a lot more than death. At the point of death, the pain is over. Yeah, I guess it is a friend.
All interstate wars intensify aggression – maximize it … some wars are even more unjust than others. In other words, all government wars are unjust, although some governments have less unjust claims.
The two most mysterious things in our lives are birth and death. They are both miraculous events; one brings shiny, brand new life into the world, and the other snuffs it out like that. That person isn't there anymore.
If you start parsing the cause-and-effect chain backward through time, eventually you land in cosmology - does the story begin with the Big Bang or the out-of-nothing creation of the world by the word of a Southern Baptist god? And that question is even more fraught than any of the others. The stakes couldn't be any higher, because not it's not just a question of life and death, but also a question of life after death or eternal torture after death.
Though I can’t help feeling a sudden death cheats you of something. Death is an experience of life. You only get one death. I would like to be aware it was happening, even if that did mean enduring pain and fear.
It was important for me to show that Beirut and Lebanon were once the pearl of the Middle East. Beirut was once called the Paris of the Middle East and to have that feeling of a destroyed place that once was beautiful and glamorous and visually impressive was important. I think it's even sadder to get the feeling that this country, and indeed the whole Middle East, could have been a major force in the world if people would get together and forget about destruction, death and wars. But unfortunately, it's not happening yet.
I'm all about talent. I love talent and I want to work with as much great talent as possible. My job as editor in chief is making the most of everybody's talent and pulling that together into a format that's even better than an individual.
Everything one does in life, even love, occurs in an express train racing toward death. To smoke opium is to get out of the train while it is still moving. It is to concern oneself with something other than life or death.
Tamed as it may be, sexuality remains one of the demonic forces in human consciousness - pushing us at intervals close to taboo and dangerous desires, which range from the impulse to commit sudden arbitrary violence upon another person to the voluptuous yearning for the extinction of one's consciousness, for death itself. Even on the level of simple physical sensation and mood, making love surely resembles having an epileptic fit at least as much as, if not more than, it does eating a meal or conversing with someone.
Gangsters live for the action. The closer to death, the nearer to the heated coil of the moment, the more alive they feel. Most would rather succumb to a barrage of bullets from a roomful of sworn enemies than to the debilitation of old age, dying the death of the feeble. A gangster becomes as addicted to the thrill of the battle and the potential to die in the midst of it as he does to he more attractive lures in his path. In his world, the potential for death exists every day. The better gangsters don't shy away from such a dreaded possibility but rather find comfort in its proximity.
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