If you're an artist, you need to work. It doesn't matter how old you are, who you are. It doesn't matter if you're 12: if you draw, you draw. If you're 85 and you paint, you paint.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
What I always longed to do was to be able to paint like I can draw, most artists would tell you that, they would all like to paint like they can draw.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
The way I paint, the scale of the information in the images which I want to paint demand space.
For an Impressionist to paint from nature is not to paint the subject, but to realize sensations.
I can't paint the way they want me to paint and they know that too.
In school, some of my favorite subjects... I mean, art was my favorite subject. I loved art! I used to go during lunch time to the art room and paint or draw or something.
The word 'abstract' comes from the light tower of the philosophers. One of their spotlights that they have particularly focused on 'Art'. [Abstraction was] not so much what you could paint but rather what you could not paint. You could not paint a house or a tree or a mountain. It was then that subject matter came into existence as something you ought not have.
Painters love paint itself: so much that they spend years trying to get paint to behave the way they want it to.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
I arrange my subject as I want it, then I go ahead and paint it, like a child.
I paint; I draw and paint - I've been doing that since I was in third grade, drawing realistically and then changing to abstract art. That was my first creative thing before guitar or comedy.
If you paint a picture and I paint a picture, we each want to do it our own way. And we'll stand or fall on whatever we did.
See it in terms of paint. We don't learn subject matter, we learn paint. The musician can play any score that is set before him.