A Quote by Gerald Durrell

I can't be expected to produce deathless prose in an atmosphere of gloom and eucalyptus. — © Gerald Durrell
I can't be expected to produce deathless prose in an atmosphere of gloom and eucalyptus.
A baby is expected. A trip is expected. News is expected. Forgetfulness is expected. An invitation is expected. Hope is expected. But memories are not expected. They just come.
Social questions are too sectional, too topical, too temporal to move a man to the mighty effort which is needed to produce greatpoetry. Prison reform may nerve Charles Reade to produce an effective and businesslike prose melodrama; but it could never produce Hamlet, Faust, or Peer Gynt.
Poetry is the most direct and simple means of expressing oneself in words: the most primitive nations have poetry, but only quitewell developed civilizations can produce good prose. So don't think of poetry as a perverse and unnatural way of distorting ordinary prose statements: prose is a much less natural way of speaking than poetry is. If you listen to small children, and to the amount of chanting and singsong in their speech, you'll see what I mean.
It is so often true that whether a person carries with him an atmosphere of gloom and depression or one of confidence and courage depends on his individual outlook.
Poetry has an indirect way of hinting at things. Poetry is feminine. Prose is masculine. Prose, the very structure of it, is logical; poetry is basically illogical. Prose has to be clear-cut; poetry has to be vague - that's its beauty, its quality. Prose simply says what it says; poetry says many things. Prose is needed in the day-to-day world, in the marketplace. But whenever something of the heart has to be said, prose is always found inadequate - one has to fall back to poetry.
A merely great intellect can produce prose, but not poetry, not one line.
The essence of every form is the deathless. Even the essence of a blade of grass is the deathless. And that's why the world of form is sacred.
Indians felt despondent about Indian governance. Changing that atmosphere of gloom was a very challenging task, and I faced many difficulties in rectifying the situation and bringing back confidence and hope.
The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature.
I've already written 300 space poems. But I look upon my ultimate form as being a poetic prose. When you read it, it appears to be prose, but within the prose you have embedded the techniques of poetry.
The advent of the internet has made so many things possible. Self- published recreational journalism has always been around; but back when you had to at least learn to run a mimeograph, and you had to pay postage to distribute your deathless prose, people who didn't actually have much to say for themselves found other hobbies
I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth.
I do not wish to produce prose that draws attention to itself, rather than the world it describes.
When people aren't having any fun, they seldom produce good work. Kill the grimness with laughter. Encourage exuberance. Get rid of sad dogs that spread gloom.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
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