A Quote by Gerald Green
I'm always animated; I'm always kind of crunk.
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I do really like doing animated movies. I like watching animated movies, and I always have. That's something I didn't let go of, from when I was a kid. It's always exciting for me to get to do that. Animated movies are so rarely bad.
A crunk attitude you're just rowdy, rahhhhh! You're just crunk. But you add the crunk rock to it, and it gives you some edge.
Something that's Crunk is off the hook. It's popping, it's going down if it's Crunk. A football player listening to his Walkman as he's getting ready for the game, jumping up and down, he's Crunk.
The word 'crunk' means energy. 'Crunk' is the past tense of crank. So if you crank something up, you are getting it started and getting it going. So 'crunk' is when it's going... when it's off the hook.
Before Lil Jon and The Eastside Boyz, nobody ever said, 'I'm a crunk artist. I make crunk music.'
I was one of several songwriters I think interviewed [for Moana]. I'm a huge fan of Disney animated movies, and I've always wanted to write an animated score since I was a little kid.
I guess certain kinds of jazz music could be Crunk. But the average jazz song, no, it's not Crunk.
I've always been a leader. I've always kind of been the tallest person on the team when I was younger but always kind of the smartest. I was ahead of my time. I wasn't always the oldest, I kind of was the youngest on the team, but, I kind of knew what to do at times.
I do think that animated films have the ability to touch you someplace. There is something about live action movies that is different because we know the characters are real people, so they always stay flawed for us somehow. But animated films touch us in a very clear, uncomplicated place. They have that ability. And an animated character can make an expression in a way humans can't do.
The idea of an animated film is you always kind of get a little bit daunted by it as a filmmaker because it feels like a lot of your communication is going to be with computer artists, and you're going to have to kind of channel the movie through extra pairs of hands.
People ask, like, 'How are you going to incorporate what you do onstage into everything else?' I'm not too worried about that. Whether it's theater or a TV show idea, or an animated thing or, I don't know, an animated screensaver. I really just want to keep creating things. And I've always been able to do that.
Seeing your work in something animated, you realize how little you have to do with all of it. It's always a surprise, and its always exciting to see. You never know what is going to happen when you're in that room by yourself.
I struggled with kind of fighting with the inner illnesses within myself where my psychological madness and I have always kind of struggled with different disorders and mental things and so the biggest thing that I was kind of always ashamed of or being embarrassed of was kind of that.
I've always been very animated.
I've always loved animation and animated films.
In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
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