A Quote by Gerald Green

When I signed with the Rockets, I just kind of felt like that was my calling card. — © Gerald Green
When I signed with the Rockets, I just kind of felt like that was my calling card.
When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song... With a Twist' music video. I released it just as I moved to L.A.
When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song...With a Twist' music video. I released it just as I moved to L.A.
Almost everyone in heaven has someone on Earth they watch, a loved one, a friend or even a stranger who was once kind, who offered warm food or a bright smile when one of us had needed it. And when I wasn’t watching I could hear the others talking to those they loved on Earth: just as fruitlessly as me, I’m afraid. A one-sided card cajoling and coaching of the young, a one way loving and desiring of their mates, a single-sided card that could never get signed.
And Supernatural, in fact, going there wasit felt like a place where I had to actually, um, learn to be kind of manly. I felt like I had to kind of change my, like, way of speaking for a little bit, just to kind of fit in, oddly enough. Which was weird.
When I first started out in Telugu cinema, I signed anything and everything that came my way. I was 18, was immature, and it felt like a good idea that 'Oh, they are paying me a good amount of money.' I was young, naive; I had zero ambition, and honestly, it wasn't my calling.
The rockets set the bony meadows afire, turned rock to lava, turned wood to charcoal, transmuted water to steam, made sand and silica into green glass which lay like shattered mirrors reflecting the invasion, all about. The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke.
You have a song, and people know it. It's like a calling card for you.
If you're really thinking prayer can stop rockets or bullets, you have to ask why some people do get hit by rockets or bullets. Are they people who no one prayed for? Are they people who God just didn't like? I don't think so.
I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.
I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes
I wrote them kind of consecutively, starting with 'Holy,' and then '1950,' 'Talia,' 'Upper West Side,' 'Make My Bed,' and I was kind of like, 'This is it.' It felt right. It felt complete. It felt like a sentence. I really enjoyed making it.
Someone stole my wallet last week. The guy called me up and he was mad at me. He was like 'you gotta get your finances together. You got no cash, your credit cards are maxed out. You don't even have minutes on your calling card. I had to use my card to call you.'
I think a book is your calling card, your business card.
With a lot of contemporary musicals, the songs are like a calling card: the action stops for them.
Generally a chef's book is like a calling card or a portfolio to display their personal work.
The hesitancy that was felt by clubs before we actually shot the first one essentially went away as soon as they saw it. That has now worked as a real calling card for us because now the Premier League knows about 'Ted Lasso.'
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