A Quote by Gerald Jonas

The circle, or ring, dance was seen as an earthly counterpart of the heavenly dance of the angels, which was itself a celebration of the resurrection. — © Gerald Jonas
The circle, or ring, dance was seen as an earthly counterpart of the heavenly dance of the angels, which was itself a celebration of the resurrection.
The oldest form of the Choral Dance is the circle. Even the chimpanzees dance in a circle, and people of every continent still do it.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
The Heavenly Spheres make music for us, The Holy Twelve dance with us, All things join in the dance! Ye who dance not, know not what we are knowing.
The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.
Although the circle dance is known throughout the entire world, the front dance is limited to the cultures of which the rectangular hut is a part.
In fact, entertainment has taken the place of celebration in the present world. But entertainment is quite different from celebration; entertainment and celebration are never the same. In celebration you are a participant; in entertainment you are only a spectator. In entertainment you watch others playing for you. So while celebration is active, entertainment is passive. In celebration you dance, while in entertainment you watch someone dancing, for which you pay him.
Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.
The resurrection state is the culmination of glorified humanity; is the change of the earthly for the heavenly; is the putting off of flesh and blood, and the putting on of the spiritual body. The body of the resurrection is the body with which the spirit is clothed for its celestial life.
I believe that dance is the oldest, noblest and most cogent of the arts. I believe that dance is the most perfect symbol of the activity of God and His angels. I believe that dance has the power to heal, mentally and physically. I believe that true education in the art of dance is education of the whole man.
I'd rather dance in a corner than dance in a circle.
We clasp the hands of those who go before us, and the hands of those who come after us; we enter the little circle of each other's arms, and the larger circle of lovers whose hands are joined in a dance, and the larger circle of all creatures, passing in and out of life, who move also in a dance, to a music so subtle and vast that no ear hears it except in fragments.
Why do I dance? Dance is my medicine. It’s the scream which eases for a while the terrible frustration common to all human beings who because of race, creed, or color, are ‘invisible’. Dance is the fist with which I fight the sickening ignorance of prejudice.
Dance, my darling dance! If you dance then death can't catch you! Nothing bad can touch you! Dance!
I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.
If there were a ritual dance of the androgyne, Tai chi as performed by this master could be that dance. It is neither a masculine dance nor a feminine dance. It has the strength and grace of both.
You dance love, and you dance joy, and you dance dreams. And I know if I can make you smile by jumping over a couple of couches or running through a rainstorm, then I'll be very glad to be a song and dance man.
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