A Quote by Gerald Stern
You could be attached to merely a description of a plant or a flower. Or a narrative of an event. Or rage at injustice. Isaiah and the other Hebrew prophets, in their rage, were being altogether attached - not at all detached, although as I think of the word "detachment," I also think of a sheet of paper, loose from its notebook, fluttering around somewhere in the wind trying to find its home again.
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Transcendence or detachment, leaving the body, pure love, lack of jealousy-that's the vision we are given in our culture, generally, when we think of the highest thing. . . . Another way to look at it is that the aim of the person is not to be detached, but to be more attached-to be attached to working; to be attached to making chairs or something that helps everyone; to be attached to beauty; to be attached to music.
This is where our obsession with going fast and saving time leads. To road rage, air rage, shopping rage, relationship rage, office rage, vacation rage, gym rage. Thanks to speed, we live in the age of rage.
The perfection of yoga is to become detached. And the perfection of detachment is to become completely attached, attached to God.
If you try too much to change the outside, that shows that you are still attached. If a man tries to be detached, it shows attachment. Why bother about detachment if you are not attached? If a man escapes from women, it shows that sex is still the obsession. Otherwise, why escape from women if you are not obsessed?
As a member of Rage Against The Machine, Audioslave and now Prophets of Rage I'm pretty used to coming on stage and there's a full house.
The fear side can have us pull away and protect us, but it's really a withdrawal, a disassociation, a cutting off. Rather than the word detachment, I usually use the word non-attachment. That can be wholesome when we care and are completely engaged with each other but are not attached to things being a certain way.
If the Buddhist's job is to be detached, I think that the artist's job is to be both detached and attached.
It's music rage, which is like road rage, only more righteous. When you get road rage, a tiny part of you knows you're being a jerk, but when you get music rage, you're carrying out the will of God, and God wants these people dead.
His rage passes description - the sort of rage that is only seen when rich folk that have more than they can enjoy suddenly lose something that they have long had but have never before used or wanted.
I think that's created a healthy environment. The comparisons to 'ER' were maddening and there was this assumption that the two of us were looking at each other with rage and resentment, which was also not the case.
Rage is by no means an automatic reaction to misery and suffering as such; no one reacts with rage to an incurable disease or to an earthquake or, for that matter, to social conditions that seem to be unchangeable. Only where there is reason to suspect that conditions could be changed and are not does rage arise.
If you have rage and righteously act it out and blame it all on others, it's really you who suffers. The other people and the environment suffer also, but you suffer more because you're being eaten up inside with rage, causing you to hate yourself more and more
Rage cannot be hidden, it can only be dissembled. This dissembling deludes the thoughtless, and strengthens rage and adds, to rage, contempt.
There's so much rage in the world now and I'm finding poems to be the place where I want to stay. I rage and rage and then write a poem and return to breathing.
Galvanized people can do careless things. It is in the extreme and emotion-laden moments that distance and coolness are most required. I am tempted to howl in rage. It is not my place to do so. My job is to try to dissect the event, place it in context and try to understand what has happened and why. From that, after the rage cools, plans for action can be made. Rage has its place, but actions must be taken with discipline and thought.
There's a lot of surplus rage from the '60s that was never really worked through publicly. I think a lot of that rage still exists, and I think you see that when John McCain runs a commercial that beats up on Hillary Clinton's earmark for a Woodstock museum.
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