A Quote by Gerald Vizenor

I use not casual phrases but imagistic phrases that create a rhythm of natural presence. — © Gerald Vizenor
I use not casual phrases but imagistic phrases that create a rhythm of natural presence.
I'm a Roman Catholic. Or was. I was brought up that way and used to say my prayers every night, but I don't pray to God any more. I might use the usual phrases I picked up from my parents, 'Oh, if God spares me next year...' or 'Please God...' but they're only phrases.
If my kids were to make a talking doll of me as a mother, one of my recorded phrases would be 'I will throw that in the trash.' 'If you don't put that down right now, I will throw that in the trash.' It's very funny to hear myself say certain things - like noticing which phrases become the most popular to use.
I want to leave my readers with a sequence of ideas/phrases that makes them question something they'd taken for granted. Or that confuses them to the point that they laugh, but contains one or two phrases/lines that stick in their minds.
We all know that little words or phrases can mean a lot, yet so few of us know just what to say. Phrases, such as 'chin up,' or 'it could be worse,' usually have the opposite effect; they feel tired and impersonal, even dismissive.
There is a value in repetition. When we repeat certain phrases and even actions, like fingering prayer beads, we create a quiet rhythm within our spirits. The beating of our heart is a repetition as is the rhythm of our breathing. All of life has its rhythms, and the repetition of familiar prayers can bring our interior spirits into harmony with the Divine Heartbeat and the breathing of the Divine Christ.
Eventually you'll take the phrases and rhythm patterns you've copped and begin to put your own mark on them
If you're having a hard time being compassionate to or forgiving of yourself or others, you repeat these four phrases directed to yourself or the other person: "I'm sorry. Please forgive me. Thank you. I love you." And just by saying and feeling those phrases, you will find your heart starts to melt.
I have made up thousands of stories; I have filled innumerable notebooks with phrases to be used when I have found the true story, the one story to which all these phrases refer. But I have never yet found the story. And I begin to ask, Are there stories?
There are phrases that are totally cliche that we, as songwriters, owe it to ourselves to not use again.
Well, within a phrase. And with a series of phrases, you can certainly create the effect of diminuendo and crescendo, no question.
I need a little language such as lovers use, words of one syllable such as children speak when they come into the room and find their mother sewing and pick up some scrap of bright wool, a feather, or a shred of chintz. I need a howl; a cry. When the storm crosses the marsh and sweeps over me where I lie in the ditch unregarded I need no words. Nothing neat. Nothing that comes down with all its feet on the floor. None of those resonances and lovely echoes that break and chime from nerve to nerve in our breasts making wild music, false phrases. I have done with phrases.
Pick a theme for your material, and stick to it for the entirety of the piece. The repetition of certain key phrases, however irritating they may sound, will give your set rhythm, and the illusion of structure.
Clergymen and people who use phrases without wisdom sometimes talk of suffering as a mystery. It is really a revelation.
It's not often that I get to remember and use phrases like "on out my farm" or "powerful ugly" in modern scripts.
I'm pretty good at inventing phrases - you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically* obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too.
No one who was not by nature a lover of logic, and an extreme precisian in the use of words and phrases, could have written the two "Alice" books.
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