A Quote by Geraldine Brooks
I was really interested in how marriages work, how you can, you know, be in love with somebody and spend many years with your lives intertwined, but in the end another soul can be fundamentally unknowable. And I think that the stress of war, when one party goes away and the other has to deal at home, is a really testing time in a lot of marriages.
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The best marriages are the ones where we can go out in the world and really put ourselves out there. A lot of times we'll fail, and sometimes we'll pull it off. But good marriages are when you can go home and know that your vulnerability will be honored as courage, and that you'll find support.
This book [Desperate Marriages ] is really a book on how to be a positive change agent in a very, very difficult marriage. I am not promising that all individuals will be responsive to the approach I take, but I do believe that many marriages could be saved... could be healed. That is my hope.
I'm interested in how identity is transient. How do we know who we really are, when different situations and environments dictate how we behave? I'm interested in the role we all play. We spend our whole lives becoming ourselves when we are born as no one else.
Sometimes the personality or just the particular process of a director can really affect your quality of life as a composer in terms of how much time you spend away from your family or the amount of time you spend doing the type of work that you maybe don't consider as fun to do as other type of work.
Arranged marriages get a bad reputation. Do they always work? No, but that's true of all marriages. As long as you aren't forced, who cares how you get together?
Growing marriages aren't determined by how much you have in common but by how graciously you deal with your differences.
There is much made in the psychological literature of the effects of divorce on children, particularly as it comes to their own marriages, lo those many years later. We have always wondered why there is not more research done on the children of happy marriages. Our parents' love is not some grand passion, there are no swoons of lust, no ball gowns and tuxedos, but here is the truth: they have not spent a night apart since the day they married.How can we ever hope to find a love to live up to that?
For thousands of years, most marriages were in Stage I--survival-focused. After World War II, marriages increasingly flirted with Stage II--a self-fulfillment focus... Love's definition is in a transition.
I think another [myth] is that some marriages are just hopeless. This is a common thing I hear from people, "Well, I just think there are some marriages that are hopeless, Dr. Chapman, don't you agree with that?" I say I understand the feeling, but the fact is that there are no marriages that are hopeless.
When you work as actors in this business, you spend a lot of time apart. That's why a lot of marriages fail. It's not because of Hollywood, it's because you don't spend time together.
Novels shouldn’t aspire to answer questions, and I wouldn’t presume to offer advice about love or marriage in any case. What’s fascinating to me about marriage as a subject for fiction—a subject that fiction has taken on with gusto since the 19th century—is how unknowable other people’s relationships are. Even the marriages of your parents, your siblings, your closest friends always remain something of a mystery. Only in fiction can you pretend to know people completely.
If common sense had been consulted, how many marriages would never have taken place; if uncommon or divine sense, how few marriages such as we witness would ever have taken place!
I want people to help take care of each other at work. That's what I want. Do you know how many hours we spend at work? We spend more time at work than we spend at home. When people are suffering, we don't help enough.
Some people will always think they know how to make other people's marriages better, and, after a while, they'll get to cudgeling you or selling you something; the really entrepreneurial types will sell you the cudgel.
There's a lot of work that goes into it - if you think about how many collections a year that Karl Lagerfeld has to do, with Chanel and all the other things he does - you can't do that unless you are working 18 hours a day. It's really a lot of hard, hard work.
There's a really unique relationship between a single parent and their child. Marriages so easily break up. There's kind of this temporary deal about marriages. That's one of the things that makes it stressful, and that's something that's nonexistent in a parent-child relationship.
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