A Quote by Geraldine Brooks

I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The mot juste unarriving? Tell that to your desk.
I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The 'mot juste' unarriving? Tell that to your desk.
My first film role was a reporter. It's funny, because my father was a news reporter. I always thought there was something strange about that.
Many writers-in-waiting spend a lot of time avoiding the work at hand. The most common way to avoid writing is by procrastination. This is the writer's greatest enemy. There is little to say about it except that once you decide to write every day, you must make yourself sit at the desk or table for the required period whether or not you are putting down words. Make yourself take the time even if the hours seem fruitless. Ideally, after a few days or weeks of being chained to the desk, you will submit to the story that must be told.
I am not covering stories as a transgender reporter. I'm a reporter who is transgender. Otherwise, it would be like having a black reporter only cover stories about blacks or a Hispanic reporter covering stories about Hispanics.
Perhaps the most troubling area in the world goes from the Balkans through the Middle East and in Central Asia.
I made a sort-of living in the beginning of my acting career as a reporter. I think my very first job was 'Early Edition' as reporter no. 1, and for 'Light It Up,' I was reporter no. 2.
I think, though, that people will read into a reporter's story a bias that they want to see in a reporter.
Never steal another reporter's story; never take the last of another reporter's ammo; never mess with another reporter's computer. Those are the rules, unless you work for a tabloid, where they replace "never" with "always".
Any reporter who's ever covered the Middle East can tell you about the Arab leader photo op. It is one of the most curious acts of solipsism ever invented. The beloved leader-for-life, a king or a president, always a man, appears on some hideous filigreed-and-gilded couch or chair, chatting with an important visitor.
Covering Richard Nixon's triumphant run in 1968 turned out to be my last major assignment as a general correspondent for CBS News. In September of that year, '60 Minutes' made its debut and I began the best, the most fulfilling job a reporter could imagine.
A lot of people don't realize that I started my career in sports and was a sports reporter long before I was on television. I used to be an NBA reporter and an NHL reporter.
Even if you had the wherewithal to embarrass a reporter, there was no mechanism to do it. And in most cases, you might as well save your breath because the reporter had no shame anyway.
I'm not a daily reporter. I'm not a newspaper reporter, I'm not a political reporter.
A police reporter walks into the worst moment in someone's life on every single story that he covers. It's not like being a sports reporter. That's a great job and all that and takes certain skills. But, you know, they're glad to see you when you show up to cover the football game. Nobody is ever glad to see a police reporter when he shows up.
Life-writing calls for any number of dubious gifts: A touch of O.C.D., a lack of imagination, a large desk, neutrality of Swiss proportions, tactlessness, a high tolerance for archival dust. Most of all it calls for an act of displacement. 'To find your subject, you must in some sense lose yourself along the way,' is Richard Holmes's version.
Listen, I'm not a politician. I'm not a news reporter. I make music, and I act.
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