A Quote by Geraldine Laybourne

Who cares about 17-21 year olds? Jack Myers does, and you should, too, if you want a front row seat on where the future of business and civilization is going. — © Geraldine Laybourne
Who cares about 17-21 year olds? Jack Myers does, and you should, too, if you want a front row seat on where the future of business and civilization is going.
It is impossible to maintain civilization with 12-year-olds having babies, with 15-year-olds killing each other, with 17-year-olds dying of AIDS and with 18-year-olds getting diplomas they can't even read.
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
All my career I have done that, worked with talents, improving 19-year-olds, 20-year-olds, 17-year-olds, 18-year-olds.
It's a business driven by curiosity. If you don't want to go out and learn about the world and see the place, it's the wrong business. But if you do... I've had an unbelievable front row seat.
I learned that I was able to focus. I've always thought of myself as somebody who is like either it's there or it isn't there. I really worked at this, and I focused, and I was able to replace self-doubt with focus. That was something new for me to say self-doubt is there, but it does not need to be in the front row. You can ask it to take a back seat and replace that front row seat with focus.
There should be a certification process to suggest if a particular film is suitable for 12-year-olds, 15-year-olds or 18-year-olds. The same thing I think applies for the Internet.
It was a huge confidence builder to stand in front of 34 21-year-olds and explain something to them every day.
It's very difficult to pick a 17-year-old who's had 10 minutes of first-team football. You're talking about replacing senior players with some 17-year-olds who haven't played Premier League football.
Full House was a show that was done for ten-year-olds. The critics hated it. They said terrible, terrible things about it. But it should have been reviewed by ten-year-olds. That's who it was made for. They loved it. And if they loved it, great. Why the hell does a fifty-year-old guy working at a big newspaper have to tell me I'm a piece of crap?
I don't want to be one of those 40-something guys in L.A. still dating, still going out to clubs and chasing 21-year-olds. It's not a good look.
While most people turn 21 and decide to go out and party, I turned 21 and decided that I was going to become somebody that I never thought I could be: somebody who cares about herself and her body, her future, and her health.
With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children.
If I didn't have a front-row seat on history, it was at least a seat on the aisle.
One-year-olds learn concealment. Five-year-olds lie outright: they manipulate via flattery. Nine-year-olds - masters of the cover-up. By the time you enter college, you're going to lie to your mom in one out of every five interactions.
If I want a hamburger, I'm going to have one. No 21-year-old should be worrying about whether she fits a sample size.
I would tell 17-year-olds to be proud of who you are. Don't try to change yourself for others. Focus on school and your future. Boys and friends will come and go, just focus on you and your future.
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