A Quote by Geraldine McCaughrean
[Peter Pan] has never broken his terrible habit of eavesdropping. So, maybe that wasn't the rustle of pages you heard while this story lasted, but Peter Pan himself, listening in. In exchanged for a story of yours, he might show you his most prized possession: James Hooks' map of Neverland. In exchange for a smile, he may show you Neverland itself.
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All over the walls of my room are pictures of Peter Pan. I've read everything that Barrie wrote. I totally identify with Peter Pan, the lost boy from Never Neverland.
I heard my name associated with the Peter Pan syndrome more than once. But really, what's so wrong with Peter Pan? Peter Pan flies. He is a metaphor for dreams and faith.
I got stuck on the Peter Pan ride when I was nine years old with my dad at Disney World. We got stuck on that part of the ride when you're suspended in the pirate ship above the miniature London, and I was fascinated by the why of it all. 'Why is Peter Peter Pan, why is he in Neverland, how did he learn how to fly, etc.?'
Being stuck in adolescence - that's a hell. 'Peter Pan' is a dystopia, and we forget that. Neverland is a bad place to be.
If Peter Pan had been real, he would've gone mad and killed everyone in Neverland.
I heard about the Holocaust before hearing the 'Cinderella' story or watching 'Peter Pan.'
Feeling that Peter was on his way back, the Neverland had again woke into life. We ought to use the pluperfect and say wakened, but woke is better and was always used by Peter.
I came up with, 'I am a lost boy from Neverland, usually hanging out with Peter Pan' and recorded that simple line on my phone. I watched it back and thought it was kinda cheesy, and I was actually going to delete it. But I thought 'Whatever, it's catchy.'
'Peter Pan' is a beloved property. It's a property that was brought to the screen many, many times before, so one has to not only justify the reasons why one might make a 'Peter Pan' movie in 2018, 2019 or whatever, but you also have to do justice to the source material.
My first acquaintance with 'Peter Pan' was back when I lived in South London. I was at art school, and I needed to earn money, so I got a job as a stagehand at the Wimbledon Theatre, and 'Peter Pan' was on tour there with Donald Sinden, who was playing Captain Hook.
Second to the right, and straight on till morning.' That, Peter had told Wendy, was the way to the Neverland; but even birds, carrying maps and consulting them at windy corners, could not have sighted it with these instructions. Peter, you see, just said anything that came into his head.
When I was about six or seven, I did this character reenactment performance where I read a monologue from 'Peter Pan.' I got into a complete Peter Pan outfit and did a little paragraph from the script - and I ended up winning an award for it.
How did you ever get here, Maddie Brodatt?" "'Second to the right, and then straight on till morning,'" she answered promptly-it did feel like Neverland. "Crikey, am I so obviously Peter Pan?" Maddie laughed. "The Lost Boys give it away." Jamie studied his hands. "Mother keeps the windows open in all our bedrooms while we're gone, like Mrs. Darling, just in case we come flying home when she's not expecting us.
For long the two enemies looked at one another, Hook shuddering slightly, and Peter with the strange smile upon his face. "So, Pan," said Hook at last, "this is all your doing." "Ay, James Hook," came the stern answer, "it is all my doing." "Proud and insolent youth," said Hook, "prepare to meet thy doom." "Dark and sinister man,“For long the two enemies looked at one another, Hook shuddering slightly, and Peter with the strange smile upon his face. "Dark and sinister man," Peter answered, "have at thee.
When I wrote 'The Shadow Thief,' I had an obsession with Peter Pan. I get focused on things. In fact, I was an absolute horror to live with at that stage. I had a big fight with my mum because I wanted her to change the windows so Peter Pan could visit me.
'Peter Pan' is tried and true - it's a story that everybody knows.
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