A Quote by Geraldine Page
I always wanted to be good at something, to be somebody. The minute I got into my first play, which was called 'Excuse My Dust' - I was 17 at the time - I knew that this was what I'd been looking for.
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I've always been very ambitious, and I always knew that I wanted something else. Cuba was a good start, but I knew I wasn't going to develop a real career, and I wanted to get closer to filmmakers that I wanted to work with.
By the time I got to high school, I didn't play anything but baseball because I was on a mission. I really wanted to get a scholarship. I really wanted to focus all my time and efforts on baseball. When I got up to Florida State, God spoke to me very clearly and called me out of that and called me into music, which up until that point had just been a hobby.
Even when I was looking for my first film, I knew I wanted to be in something that was good. I knew I was not a star kid, and I will not get any other chance.
When I first started producing, all I had was this little crappy sampler called a S20, which had, like, a minute sample time. I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job. I was a schoolteacher for a while, and it was the worst job.
Since he was 17 years old in Atlanta, I think people always knew that there was something different about Key. He's obviously been able to adapt to so many sounds and time periods in his own way, which is clear from the long list of collaborators; but he has always retained an effortlessly weird perspective.
Google has you at a very specific mental state that is, looking for something. And what they've always been able to say is, we deliver your message at the exact time someone is, say, looking for fishing hooks or looking for marriage counseling or looking for a lawyer for a particular problem. And here we have our customers telling you what is in their heart and soul. It's something that, you know, advertisers have wanted for decades.
I knew from the time I was 6 or 7 that music was something I had to do. Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
I feel like I've been very lucky with the directors. The characters I've been offered, especially lately, have given me the opportunity to play all of these different women. I always wanted that, and it's something that you cannot do by yourself. If you want to play a diversity of characters, somebody else has to have the imagination to give you a role completely out of the box. We depend on somebody else's trust, and these directors are giving me their trust, and I am grateful for that.
I had no idea what I wanted to be when I was 17. I just knew I wanted to be something larger than myself.
So many people say, "I just don't have a good job, or my marriage is not where it's supposed to be." Really it's excuse after excuse to not be happy. To me it's a waste. I'm going to look at what's right and not what's wrong in my life. I'm alive, I'm healthy, and you know, a good thing to remember is somebody's got it a lot worse than we do.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
I think that at the end of a third term, I don't care how good you've been, people are looking for something different. And I think as time goes on, there won't be so much 'anti-Bloomberg.' It'll be 'We just wanted a change,' which I can understand.
The first job I got was this TV job in this show called 'The Unusuals.' Then I did a play called 'Slipping,' and at the same time I was rehearsing another play at Playwrights Horizons, and that kind of snowballed into a bunch of plays.
Things are sweeter when they're lost. I know--because once I wanted something and got it. It was the only thing I ever wanted badly, Dot, and when I got it it turned to dust in my hand.
I had been working on some mechanical issues before I got called up. When I got called up I was focused on trying to be mechanically correct instead of enjoying the moment and competing like I had always done which is probably the main reason to why I wasn't very successful in my first start.
I did a play I think my first six months on the show, called Bullpen. Then I got involved with Theater Forty and did this play called Plastic which is about two male models coming to a casting call.
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