A Quote by Gerard Butler
So many actors get caught up in their technique, and to be honest, I see it really getting in the way. I see them forcing things. I definitely do my best work when I'm free of that. But I think as an actor, I work really hard in preparing the roles. I spend like 90 percent of my waking moments walking around thinking: "What does this character do? What is his relationship with so-and-so?" Always, really. Too much!
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So many actors get caught up in their technique, and to be honest, I see it really getting in the way. I see them forcing things. I definitely do my best work when I'm free of that. But I think as an actor, I work really hard in preparing the roles.
I've heard people say putting is 50 percent technique and 50 percent mental. I really believe it is 50 percent technique and 90 percent positive thinking, see, but that adds up to 140 percent, which is why nobody is 100 percent sure how to putt.
We work so hard as young artists to further our careers or improve our technique, sometimes it gets so easy to not actually go and see things like a play or a film. I think the best way to get better is to see other actors do what they do well.
When you're younger, you get scripts that you are too young for and now I'm getting scripts, which I think, "I'm too old for this character." They can always shift things around to make it work and make the ages work. But I'm definitely getting more complex and interesting roles and less what you would expect. So I can experiment more and have a bit more freedom when I'm putting things on tape.
I think that as actresses - and I've definitely gone through this in a really bizarre way, because I worked so much and was really lucky with the roles that I got when I was younger - I remember hearing the older actors saying, "It gets tough," and thinking, "Really? I can't imagine."
Some actors come to casting and ask me, "Didn't you see my previous roles?" We do not work with actors like this. Their previous roles do not matter; I need the actual work with an actor in this particular character that has been written in our script. What matters is flexibility, believability and efficiency of an actor.
It's really hard to find parts that challenge me as an actor these days. At this point in my career, I feel like I can just sleepwalk through most of my roles and still do a better job than 90 percent of the actors out there.
Nothing comes easy. I know that people joke all the time and try to figure out, you know, what it is that I do, but I work really hard. I get up every day at 5 a.m. and start my day. I think as long as you work really hard and figure out what you want to do and stay motivated and have a plan and stay committed - just don't be lazy. That's my best advice. It's the most simple advice, but it really worked for me. I think that for some reason, I see people that think things will come easy and it doesn't really come easy.
I try not to have anything too much going on between waking up and getting to work. I like to just be really fresh when I sit down. I always have my best ideas, like, within five minutes of starting. And then the rest of the day is just kind of putting in time.
I think that it's really incredible, growing up and being able to have all these people who really look up to the work that I do. It's really cool that I have such awesome fans, and I can't thank them enough. I get on my Twitter and Facebook every day, and I see such awesome things.
Fortunately and unfortunately, people don't see me as a character actor. They see me as a leading man or nothing, which makes it really hard to get work.
Because dead people are just like you and me, they still want things. They look at us all the time, and they miss being alive. We have taste and color and smell and feelings, and they don’t have any of those things.
They stare at us, they don’t miss anything. They really see what’s going on, and we hardly ever really see that. We’re too busy thinking about things and getting everything wrong, so we miss ninety percent of what’s happening.
I've been lucky enough to work with the amazing Golden Globe Award winning Chris Colfer and that is fantastic. I get to work with him on a day-to-day basis and he is such a generous talent. Chris and I like to play. He always throws me things and I ping them back to him and it's really fun. We definitely have a very lovely rapport personally - I think on screen too - and I hope you can see that in the characters.
For me being able to see all different places where I've skied and cherish them, and be able to see them - really see them - is something that I'm passionate about. I'm into photography, so I really enjoy taking photos of all the places that I've gone. I think that's the coolest part about being an Olympic sportsman, I get to travel around and see the world for free, technically. And get to see different cultures, and all the different people that I've met along the way - it's a pretty awesome job.
It's hard work. It's really hard work, but it's really interesting. We have this camera, I think it's called a SimulCam, and when you play it back, you can see the giant in the scene you just shot. It's incredible. You're reacting to a tennis ball that's way up there, then when you watch it, it's this huge giant's face on it. Wow. That's cool. I just can't wait to see it when it's all edited together and the special effects are all crystal clear. It's going to be, hopefully, amazing.
You’ve been assigned an identity since birth. Then you spend the rest of your life walking around in it to see if it really fits. You try on all these different selves and abandon just as many. But really it’s about dismantling all that false armor, getting down to what’s real. -Going Bovine
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