A Quote by Gerard Butler
My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. I need to say, "Okay, enough, take the easy road." But the easy road for me is not - it might just come out coincidentally. I wouldn't ever choose a movie because it's easy. I might choose a movie because I feel like being funny, or I feel like being able to do something that is perhaps dramatic, but to a lesser degree. Because I like switching it up, basically, not because I would take the easier road.
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My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. For instance, 'Phantom Of The Opera,' in truth, scared the crap out of me, but I wasn't going to walk away and say, 'I didn't do that because I didn't believe in myself.'
A lot of times, I feel like people come up to me because they think I'm like my character in 'Easy A', or because they've seen me in interviews, but really what they're a fan of is a movie or a character.
A lot of times I feel like people come up to me because they think I'm like my character in Easy A, or because they've seen me in interviews, but really what they're a fan of is a movie or a character.
I was a handsome boy, a very handsome young man, bright blue eyes, mmm. I would make trucks skid off the road. Anyway, girls were never a problem; the problem was me. But a lot of guys didn't like me because I made it look so easy, but it wasn't easy for me or anybody. When you're 24, it's not easy. You haven't reached anywhere that you want to be, so my looks helped me get in the movies, and I'm privileged that my parents came up with what I look like. What they did I'll never know and I don't care.
Initially I took the job because I thought it would be really easy. I was like, I'll take the paycheck because I want to do my own movie. That didn't work out. In the first two weeks I fell in love with Kratos from an animation perspective; I'd never been able to do anything like this.
It's not easy to come somewhere new and have to find your place. You might feel someone doesn't like you, or you might need to find new friends. It's not easy, and I don't like this kind of thing. It's not easy, so you want to protect the players who are alone.
The easy road in Olympia is a yes vote. That's the easy road in Olympia. The easy road in Olympia is not carrying the banner for freedom and liberty. The easy road in Olympia is worrying about getting reelected. The easy road in Olympia is going along to get along.
I thought following a straight road would lead me right to my destination. Like the road would just take me there because I was following all the rules. And if the road curved, I couldn't be sure about where I was going. But look where it got me. Maybe it's time for a detour.
Being positive is like going up a mountain. Being negative is like sliding down a hill. A lot of times, people want to take the easy way out, because it's basically what they've understood throughout their lives.
What I find difficult about photo shoots is the line between playing a character - you're being asked by the photographer to take on a role like you would in a movie - and being a fancier version of yourself. It's about finding that line between being spontaneous and open to direction, but also trying to explain to photographers that the "me" is often taken out of context because it has all of this other stuff attached to it.
Producers don't like the director who ignores their opinion - but I always try not to be the nicest person when making a movie. It's easy to do that. Just say 'Yes sir', "Alright', 'Okay' - but they're not seeing the movie because if they can, they should be directing the movie.
But I like being nasty. I like being cranky. Especially if it's a cold day in Chicago, it's nice to just take it out on Kyle, because he's so easy to scream at, you know?
Most audiences are being attracted to '12 Strong' because of what they might expect to see from a movie like this, which is that the Americans arrive, they march into the camp, they take it over, and take charge. It's like, 'Everything's going to be fine now. We're here.' That's not how these guys operate. They're very different.
It amazes me how easy it is for things to change, how easy it is to start off down the same road you always take and wind up somewhere new. Just one false step, one pause, one detour, and you end up with new friends or a bad reputation or a boyfriend or a breakup. It's never occurred to me before; I've never been able to see it. And it makes me feel, weirdly, like maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
I'd like to be making more films more frequently, but I do find that making movies, for me, has proven to be an extremely challenging road. No movie is easy; no movie has come together quickly.
Every day we have a choice. We can take the easier road, the more cynical road, which is a road sometimes based on a dream of a past that never was, fear of each other, distancing and blame, or we can take the much more difficult path, the road of transformation, transcendence, compassion, and love, but also accountability and justice.
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