A Quote by Gerard Butler

Sometimes I finish a movie, and I get used to a certain lifestyle, and when that stops, I get a bit lost for about a week. 'No one is bringing me lunch anymore - I've got to go do that myself?' I lose the main point of my focus.
I don't focus on how I'm gonna get the finish or how I would like to get the finish. I focus on just my game plan that I've gone over with myself, my coaches. If the finish comes it comes.
Some guys lose their focus. They get caught up in the business deals or the endorsements, and they lose their focus. For me, it's always about football. I've never lost sight of what's making all these other things happen.
I never get discouraged about anything. If I got discouraged I wouldn't keep giving out the script then the movie wouldn't be made. The biggest thing about movie industry is to never get discouraged because once you get discouraged you lose interest. You'll stop being successful in something you love doing. If you get discouraged in things and not even want to finish or do them, then why even bother starting?
It depends on the way you shoot it. It's something I don't really control. The main goal is to make a funny movie, but then I let my mind go. I get lost sometimes in the writing, trying to find some special zones. That's the excitement of making a movie.
I like pubs too, but it's hard for me to go and get proper bladdered in the way I used to. I don't want to moan about being recognised but I do get a bit of grief sometimes.
I try not to think about the idea of reaching more and more people, because once you get in that mindset, I think you lose the point of why you're doing it in the first place. Still, the best feeling I ever get is when I finish a song, and it exists, and it didn't exist before, and now it's there, and it makes me feel a certain way.
I do a bit called, 'You go, girl!' where I say, 'Don't tell me 'You go, girl!' I get it. I don't need you encourage me.' And nine times out of 10 after I finish the bit, some guy in the back will yell 'You go, girl!' I get a lot of that or 'I hear ya!' I don't generally - knock on fake wood - get mean heckling.
I don’t shake at the site of alcohol anymore. I don’t feel the need for it. If anything I’ll get stoned. I always told myself if it got to the point that it was affecting my songwriting and music that I’d stop. And it did get to the point.
I was born in L.A., so there's a lot of focus on getting into great shape, and, for me, I found that when I started to be more loving to myself and find ways to get excited about my exercise routine, I got into shape easier and faster, and it became a lifestyle.
I don't want to get so lost in thinking about me and talking about me all the time in interviews. It's so nice to unwind and just look at other things and get out of yourself. It's hard to detach myself from myself without neglecting myself. You know what I mean? I don't want to get in to the habit of thinking about my career because when it comes down to it, it's not really that important. I could die tomorrow and the world would go on.
I wear my pajamas. That's the thing I love most about writing. I don't get changed until I actually have to go out of the house. I'll write and take a late lunch or go to a coffee shop when I get where I can't stand the four walls anymore.
Digging down and finding out where your head is at when a fight is about to come, I used to get to a dark place and that's not really a place I want to go anymore. I got kids, I enjoy my life and I'm having a good time. I don't feel like I need to go there anymore.
Every movie I get involved with I get involved in as big a level as I possibly can, but this has been a very much more personal journey for me, so bringing it here tonight there's a sense of relief, there's a sense of just amazement that got here... because it's been a struggle. But this is a good way to launch it and there couldn't be a better way of celebrating this movie than bringing it to the West End.
There are certain scenes in the edit you're playing with it and certain scenes don't put back together the way you imagined. Sometimes they're better and sometimes they don't have that thing, so it's never foolproof. But you certainly get an idea that here we've got enough and we've got to move on because you're always against time and money there. Whatever the budget is, you have to get practical about it.
Everybody thought that Titanic was the most romantic movie ever. A story about two teenagers who knew each other for three days. Try to make that movie with a couple that's been together for a few years. 'Get in the goddamn boat, Rose!' 'I don't wanna get in the boat!' 'Get in, come on, I'm freezing my ass off out here! I wanted to go to Jamaica, but no, we had to go on a cruise in the middle of the winter!' 'You never draw me naked anymore'
It used to be with chocolate. I would put chocolate in my studio and say, "You know, Nat, there's this chocolate you can have if you get over there." And usually if I got over there, I would start writing. Sometimes I need get out of the house and go to a café and write. Sometimes I'll write with other friends to get myself going. And sometimes I just say "Ok, Nat, enough. Go one hour. Keep your hand going." I'll do whatever it takes.
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