A Quote by Gerard Manley Hopkins

Lovely the woods, waters, meadows, combes, vales,
All the air things wear that build this world of Wales. — © Gerard Manley Hopkins
Lovely the woods, waters, meadows, combes, vales, All the air things wear that build this world of Wales.
Large meadows are lovely for picnics and romping, but they are for the lighter feelings. Meadows do not make me want to write.
The tender Evenlode that makes Her meadows hush to hear the sound Of waters mingling in the brakes, And binds my heart to English ground. A lovely river, all alone, She lingers in the hills and holds A hundred little towns of stone, Forgotten in the western wolds.
The charities of life are scattered everywhere, enameling the vales of human beings as the flowers paint the meadows. They are not the fruit of study, nor the privilege of refinement, but a natural instinct.
Many demons are in woods, in waters, in wildernesses, and in dark poolly places ready to hurt and prejudice people; some are also in the thick black clouds, which cause hail, lightning and thunder, and poison the air, the pastures and grounds.
Therefore am I still a lover of the meadows and the woods, and mountains; and of all that we behold from this green earth.
There's this label called Neurotica by these sweet girls that have given me some lovely things to wear, and we might collaborate on making a little piece. They're really lovely, and I think they've been quite inspired by me in turn.
I love the characters you can build upon when you wear different things. You know, sometimes, I'll want to be girly and wear tulle on a Tuesday, and sometimes I wanna be like Kim Kardashian and wear black leather head-to-toe.
When winter stern, his gloomy front uprears, A sable void the barren earth appears; The meads no more their former verdure boast, Fast-bound their streams, and all their beauty lost; The herds, the flocks, in icy garments mourn, and wildly murmur for the Spring's return; From snow-topp'd hills the whirlwinds keenly blow, Howl through the woods, and pierce the vales below, Through the sharp air a flaky torrent flies, Mocks the slow sight, and hides the gloomy skies.
When we walk, we naturally go to the fields and woods: what would become of us, if we walked only in a garden or a mall? Even some sects of philosophers have felt the necessity of importing the woods to themselves, since they did not go to the woods. They planted groves and walks of Plantanes, where they took subdiales ambulationes in porticos open to the air. Of course, it is of no use to direct our steps to the woods, if they do not carry us thither.
The melancholy days are come, the saddest of the year, Of wailing winds, and naked woods and meadows brown and sear.
Silently, one by one, in the infinite meadows of heaven, Blossomed the lovely stars, the forget-me-nots of the angels.
When loud by landside streamlets gush, And clear in the greenwood quires the thrush, With sun on the meadows And songs in the shadows Comes again to me The gift of the tongues of the lea, The gift of the tongues of meadows. So when the earth is alive with gods, And the lusty ploughman breaks the sod, And the grass sings in the meadows, And the flowers smile in the shadows, Sits my heart at ease, Hearing the song of the leas, Singing the songs of the meadows.
No matter how intently one studies the hundred little dramas of the woods and meadows, one can never learn all the salient facts about any one of them.
Villages and woods, meadows and chateaux, pass across the moving scene, out of which the whistling of locomotives throws sharp notes. These faint, piercing sounds, together with the yelping and barking of dogs, are the only noises that reach one through the depths of the upper air. The human voice cannot mount up into these boundless solitudes. Human beings look like ants along the white lines that are highways; and the rows of houses look like children's playthings.
Here hills and vales, the woodland and the plain Here earth and water seem to strive again, Not chaos-like together crushed and bruised, But, as the world, harmoniously confused: Where order in variety we see, And where, though all things differ, all agree.
Wear whatever makes you less sad and feels right when it's on. Don't wear too many things that serve no function. Wear what you can wear on a bicycle. Wear what you can run in or survive in if necessary. If something feels right, wear it all the time. Don't look too cool. Keep some things in!
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