A Quote by Gerard Way
Making a record is a lot like surgery without an anesthetic. You first have to cut yourself up the middle. Then you have to rip out every single organ, every single part and lay them on a table. You then need to examine the parts, and the reality of the situation hits you. Then you pop it all back in, sew yourself shut and perform.
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This is the question I want everyone to ask yourself every single day when you come up with something you feel that needs to be done: if not now, then when? And if not me, then who?
If you find something greater than yourself, to move you! Then you will make every single dream, become a reality!
To write poetry, like sincere poetry, it is like performing heart surgery on yourself without anesthesia...in public...You are peeling back layers. You are dissecting yourself...You do not know what they [the audience] is going to do when you reach into yourself and rip out your organs to be displayed
I mean, I love L.A. - I love living here. But I wish that we could make things without the need to hit a home run every single time. It's a unique thing to Hollywood that if you don't do that every time, then you're considered a failure. But it's like, 'Well, are you making movies to be successful? Or are you making movies to learn something?'
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
After performing in various bands, my big break came when I signed for the record label CBS. I had a couple of hits, then my third single, 'Wherever I Lay My Hat,' reached No 1 in 1983.
In collage you're doing it in stages so you're not actually doing it right there. You first of all draw it on the paper, then you cut it up, then you paste it down, then you change it, then you shove it about, then you may paint bits of it over, so actually you're not making the picture there and then, you're making it through a process, so it's not so spontaneous.
Puke and starve and cut and drink because you don't want to feel any of this. Puke and starve and cut and drink because you need an anesthetic and it works. For awhile. But then the anesthetic turns into poison and by then it's to late because you are maintaining it now,straight into your soul. It is rotting you and you can't stop.
What I don't understand is how women can pour hot wax on their bodies, let it dry, then rip out every single hair by its root and still be scared of spiders.
So we, Democrats, have a responsibility there, every one of us, both to try to treat the Republicans with respect and as human beings to try to work with them on every issue we can, and then if those cannons are fired at us, we've got to stand up and fight back. If you lay down and you look like a deer caught in the headlights, then you will confirm the assault. And so we have to fight back.
Human beings look separate because you see them walking about separately. But then we are so made that we can see only the present moment. If we could see the past, then of course it would look different. For there was a time when every man was part of his mother, and (earlier still) part of his father as well, and when they were part of his grandparents. If you could see humanity spread out in time, as God sees it, it would look like one single growing thing--rather like a very complicated tree. Every individual would appear connected with every other.
With every song, all the elements have to work. First, the beat has to be great - you start there. You start with the music, and then the ideas follow. Then you start thinking of rhymes, and then you record it, and sometimes - this happens to me a lot - it doesn't come out as good as it did in my head when I first wrote it.
If I can stay healthy, then I can wrestle every single week. I want to make every single town that I can, see the whole world, feel every crowd in every arena, and pull those emotional strings. I can't explain what it feels like to be in the center stage connecting with thousands of people, but I'm having the best time doing it.
I think if you do a lot of interviews, you're laying yourself open. If you put yourself out, accept every invitation to every premiere, then you can't really complain when people knock on your front door and photograph you in the street.
You learn so much about yourself as an artist. I never would have thought that I could sing every night, you know? Travel and perform every single night, and travel to another city the next day and do it all over again? You learn a lot of new things about yourself, and you make a lot of connections with people.
The problem with my shoulders was something I inherited from my dad. The left one would pop out and then pop back in - absolute agony - during almost every game last season, so I had surgery to put it right last summer.
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