A Quote by Gerard Way
When I did The Umbrella Academy, I studied Gabriel Bá's art. I said, "Oh, this is what he likes to do here. Maybe I can push him to do a little more of this." You can play to those strengths. It's a different scenario with each artist.
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They are more like artistic names. Bá is a nickname. It's short for Gá. When I learned to spell letters and words, instead of calling him Gabriel [Ba], I called him Babio. People call him Gá and I call him Bá. So Bá is a nickname.
Will's Father's gaze went immediately to Gabriel, and then to Cecily, his eyes narrowing. "And who is this gentlemen?" Will's grin widened. "Oh him," he said. "This is Cecliy's friend, Mr. Gabriel Lightworm." Gabriel, half in the act of stretching his hand to greet Mr. Herondale, froze in horror. "Lightwood," he sputtered. "Gabriel Lightwood.
Rand, maybe that's the answer they give to everybody. Those snake people, I mean. Got to Rhuidean. Maybe we don't have to be here at all.' He did not believe it, but with that fog staring him in the face. ... Rand turned his head to look at him, not speaking. Finally he said, 'They never mentioned Rhuidean to me, Mat.' 'Oh, burn me,' he muttered.
It ought to be illegal for an artist to marry. If the artist must marry let him find someone more interested in art, or his art, or the artist part of him, than in him. After which let them take tea together three times a week.
It definitely takes a long time, because Umbrella Academy' scenes are very interesting from a writing point of view with all these very off-the-cuff, oddball characters who are all different from each other.
I think it is said that Gauss had ten different proofs for the law of quadratic reciprocity. Any good theorem should have several proofs, the more the better. For two reasons: usually, different proofs have different strengths and weaknesses, and they generalise in different directions - they are not just repetitions of each other.
I had a visit from an artist friend who basically said, "Your paintings are wonderful. Now stop." It did resonate with me. It hit on the percolating need for change that was already there. I got a little push. I did a group of the paintings early on that were among the best. It was sort of beginner's luck with these.
Claire said. “I might be able to get him to stop.” “Who, crazy dude? Maybe. Or he might pull your head off,” Shane said. “I kind of worry.” She couldn’t help but smile. “Yeah?” “A little bit.” “That’s …nice.” He studied her, and returned the smile. “Yeah,” he said. “Kind of is, actually.
The sun's champagne streamed from one body into another. And there was a couple on the green silk of the grass, covered by a raspberry umbrella. Only their feet and a little bit of lace could be seen. In the magnificent universe beneath the raspberry umbrella, with closed eyes, they drank in the sparkling madness. 'Extra! Extra! Zeppelins over the North Sea at 3 o'clock.' But under the umbrella, in the raspberry universe, they were immortal. What did it matter that in another far-away universe people would be killing each other?
Fine - I said huffily. - But I hope I'm at least allowed to fly around the corridors during lunch hour. Gabriel threw me a disapproving look. I waited for him to get my joke, but his eyes remained serious. I sighed. Much as I loved him, Gabriel could be totally lacking in any sense of humor.
Someone once said that history has more imagination than all the scenario writers in the Pentagon, and we have a lot of scenario writers here. No one ever wrote a scenario for commercial airliners crashing into the World Trade Center.
Who would be an artist that was perfectly happy? Maybe nowadays, but when I grew up in the '60s, you had nobody in the art club who was popular. No cheerleaders in the art club. I was told that I couldn't be a painter by my first painting teacher. I said I wanted to go to Cooper and be an art student, and he said, "You'll be a waitress." It was really the strangely indifferent parenting.
I could play a cop, I could play a crook, I could play a lawyer, I could play a dentist, I could play an art critic-I could play the guy next door. I am the guy next door. I could play Catholic, Jewish, Protestant. As a matter of fact, when I did The Odd Couple, I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German-and I would mix them up. I did that to amuse myself, and it always worked.
Wouldn`t it be wonderful if we could all be a little more gentle with each other, and a little more loving, have a little more empathy, and maybe we'd like each other a little bit more.
Maybe you are homophobic a little bit, but then you see me, and you've always loved me, and you love the way I play, and your kids love me. And then you're like, 'Oh, that's OK. It's fine.' Once it gets a little bit more personal, it helps break down those barriers.
We can cooperate more easily with those who more easily intelligible to us, who are more familiar to us. But the advantages of specialization of labor often push us in the direction working with people who have different strengths and viewpoints than we do. I think that this is one major reason why moralities are always subject to change, because some of the people we cooperate with are going to be different from us in ways that often lead them to have different value orientations than we have; and interacting with them can change us.
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