A Quote by Gerard Way
'The Black Parade' is an epic, theatrical, orchestral, big record that is also a concept album.
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The Black Parade is an epic, theatrical, orchestral, big record that is also a concept album.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.
There have been many socially conscious concept albums. I wanted to make a 'social consciousness' concept album disguised as a country record.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
I hope we [with Patrick Leonard] can come up with something orchestral with some spoken material. And I also, God willing, hope that perhaps another record of songs also might emerge, but one never knows.
That was an idea of the record company, and also that was my first album after MCA and we wanted to come back with a strong album that would be noticed. If we put the vocals by very talented people and very meaningful songs, then the vocals would be a platform so that I could be noticed again. All of the MCA albums were just loaded with problems -- you know, the right musicians, the engineers. The record company would say 'You have to make music for black radio, you can't do what you have been doing with The Crusaders.' Everybody was telling me that was over, finished, done.
Christmas turns things tail-end foremost. The day and the spirit of Christmas rearrange the world parade. As the world arranges it, usually there come first in importance -- leading the parade with a big blare of a band -- the Big Shots. Frequently they are also the Stuffed Shirts. That's the first of the parade. Then at the tail end, as of little importance, trudge the weary, the poor, the lame, the halt, and the blind. But in the Christmas spirit, the procession is turned around. Those at the tail end are put first in the arrangement of the Child of Christmas.
So many people in this country have a dual loyalty. They have loyalty to America, but they also are determined to have their parade up Fifth Avenue once a year... a Cuban parade or a Puerto Rican parade - many other countries. So they really don't forget.
When Alcatrazz played in Japan in early '84, the record label offered me the opportunity to do a solo album while continuing to play in the band. I wanted the whole album to have vocals, but the record company didn't want that. Initially, the album was released solely in Japan.
I got into my very theatrical phase. I wore only black: a big black hat and wild hair and wild black clothes, and I carried a sword stick. I went there still looking like Miss Florida, and I came back looking very different.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
With our first record, we wrote concept songs but not a concept record.
I just got back from New York. You ever been there? There was a big gay parade going on there when I was there, and I never been to one of them, and I like a parade. I always like a parade. So, I go there, and it turns out, it's just a bunch of gay guys.
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