A Quote by Gerardo Martino

I think when a new manager who has a specific way of playing comes to any league, he doesn't think about adapting but rather looks for ways to slowly implement his style so it can be developed for years to come.
I think managing shortened my playing career, but I was a better manager when I was playing, when I could lead like a platoon sergeant in the field rather than as a general sitting back on his duff in a command post.
It's not science; it's common sense: it's playing the right players in the right positions for the style of football you want to implement in a specific game.
For the longest time, I was trying to be DJ Shadow, I think. But I slowly developed my own style. It was trial and error, for sure.
I think when we were making the first album, we were like 16, 17 years old, and I think just years and years of recording and playing shows - I know me, personally, I kind of figured out my style more and vocally learned a better way to sing in the studio.
I think it's just as viable a way of telling a story as anything else but for right now we like playing around with the new ways to do 3-D because I think it's only going to get better. I think that eventually we'll come home, we'll sit in our living room and there will be a little hologram that'll pop up and you'll watch these 3-D movies but you'll be able to walk around it.
I think honestly doing it this way, getting slowly, slowly better every year, improving little things, I don't think I've missed anything, made any big jumps.
I think every manager is the same. Three days before the Premier League starts, every manager is selfish that way. They want the players fit and ready.
My father writings stuff was always his personal stuff, like about the day we had to put our dog down, or finding old photographs of his father, or passing a guy he went to boarding school with on a street in New York. Very specific, detailed, descriptive columns that he wrote. I think in a way, it could be argued that my best songs are that way too. They're almost journalistic in that they're very clear, and very specific, and they describe things.
Themes don't change very much in story telling, and I think each writer has his or her own territory; however, I think craft and style take a lot of time to develop. I don't think there's any other way to develop your own style without reading your betters.
The fact that I made a special movie with an old-fashioned style - even if it's a mix between with modern and old-fashioned things - must mean I feel both ways about change. In a way I'm resisting, but in a way adapting myself to the times.
I'm sure any vocal teacher that listens to me would rather cut my throat than do anything - I do everything all wrong - but I think for me that's the best - because I don't think I have a voice so I think what I project would be style - if I learned to sing I'd lose my style.
Imagining themes that are specific to coating lines, shapes, shades, thoughts, the decoration of our homes and the objects of utility or pure pleasure, adapting its purpose in a material-specific way to metal or wood, marble or fabric - it is, without any doubt, an absorbing occupation.
What you have felt and thought will by itself invent a new style, so that when people talk about style they are always a little astonished at the newness of it, because they think that it is only style that they are talking about, when what they are talking about is the attempt to express a new idea with such force that it will have the originality of the thought.It is an awfully lonesome business, and, as you know, I never wanted you to go into it, but if you are going into it at all, I want you to go into it knowing the sort of things that took me years to learn.
I like Philip Glass. I think he's made some really great contributions to his field. I love his style of playing - it's very loop-style.
It was a great two years in Italy, I played a lot of games and gained experience in a different league. So you pick up new stuff, new ways of doing things, on and off the pitch, and I think that has made me a better player, and also more mature mentally.
When I think of Morricone, more than his using a specific instrument or a specific sound, it's his way of approaching music that sticks out.
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