A Quote by Gerardo Martino
Sometimes, it is logical that by analysing a player, one thinks it is better to play him in one place or another, but then, if he is good, you can be more flexible.
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A player can have all the quality and everything it takes to play for a big-six team or to play for the best teams in the world but then sometimes it happens and it doesn't work out. It's not because of the player or the club, sometimes it's just the environment, it's the wrong timing.
If the manager thinks there is another player better than you, he is going to play, and this is the way. You have to try to improve and keep fighting and try to change the manager's mind.
So many guys come onto the scene who aren't supposed to be there. You pull for one, and then you see there's another and another and another, and you start to say, 'Who cares where a player was drafted? He can play football, and he can play at this level.'
I should be flexible enough to play in a number of roles, so I am a more attractive player to the team and can contribute even more.
I saw James Rodriguez play for the Colombian national team. I saw him play for Real Madrid and for Bayern, too. For me he's a fantastic player, a sensational player, intelligent, a player, who, if you let him play the way he likes, for sure, he'll do a lot for the Premier League.
Definitely I feel with more matches, I'm the type of player I win a match or few matches, then I get confidence right away and then I play better and better.
True, more than a half of the green graves in the Grafton cemetery are marked "Unknown," and sometimes it occurs that one thinks of the contradiction involved in "honoring the memory" of him of whom no memory remains to honor; but the attempt seems to do no great harm to the living, even to the logical.
The more you play, the more you feel part of the squad, and then, in turn, you end up playing better. I think it's a psychological gap as well - if you don't think you're a first-team player, then you won't be.
As a director, you can't stop a guy if he thinks something's hysterical, because if you do, then he'll get depressed because he thinks he didn't come up with a good joke. So if a guy's going on some run and it's killing him, and he thinks it's hilarious, you gotta do enough so that he thinks you can use it in the movie.
Miloslav Mecir - best anticipation of any player in our generation for sure. The most flexible... and then crazy good hands. He is the best player in the world to not have won a slam, for sure. No question in my mind. He should have won three or four.
Not many know this, but in training sessions, I like to play in the center-back position sometimes. I think I'm good at that position, and my father used to be a central defender. Some people don't realize that if you play in that position, you can better understand how the defender thinks.
Darth Maul dies and it's okay. And maybe he'll be picked up later and another actor will play him and that's okay. However if they call me up and they need him for this or that and they want me to play him, then that's okay too. I do actually love this character. I feel strongly about him. I feel badly for him and if there's anything more I can contribute to him or the larger Star Wars mythology I will continue to do so and if my time has come then I will watch as a fan the way I have since I was born.
I think you have to be more flexible to be a pro coach because once you pay the guy the money, whether he can backpedal the way you want him to or whatever, his style of play may not suit you, but you still are going to play him, and he is going to be a part of your team.
A guitar player goes on the road, and he misses his girlfriend for a while, but he manages to get along. A horn player gets out on the road, plays two or three towns, and then he'll get lonely, and next thing you know, he's packed up and left. It's better not to hire him in the first place.
It is more satisfying to be a bad player at golf. The worse you play, the better you remember the occasional good shot.
Josh [Gad] is such an amazing improviser and is so good when the material is flowing from him that sometimes, if a written scene isn't working quite right, I'll tell him that we've got it and that he can just play. He'll blow us away with some super weird stuff and some wild things that we might use bits and pieces of in the edit, and then I'll say, "Just for good measure, let's do one more of the scripted version."
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