A Quote by Gerhard Richter
I would like to try to understand what is. We know very little, and I am trying to do it by creating analogies. Almost every work of art is an analogy.
Related Quotes
Almost every work of art is an analogy. When I make a representation of something, this too is an analogy to what exists; I make an effort to get a grip on the thing by depicting it. I prefer to steer clear of anything aesthetic, so as not to set obstacles in my own way and not to have the problem of people saying: 'Ah, yes, that's how he sees the world, that's his interpretation.'
Poems - crystallizations of the universal play of analogy, transparent objects which, as they reproduce the mechanism and the rotary motion of analogy, are waterspouts of new analogies.
I always try to create equal power between the subject and the object, so as not to end up creating a relationship where the camera is here and the object out there. This is for me a very difficult and sensitive balance. When I produce a work, cut and frame images, I realize that spectators can identify with the images and almost forget that someone else actually made them. This would be the optimal situation. I don't know whether I succeed in doing so, but that's what I would like to have happen.
Every time that God navigates my ship, there's nothing cerebral going on. There's very little thought. It's almost as if I have the directions. Every time I try to do it myself, I'm conjuring up my own concoction and trying.
I love creating. I am addicted to the drug of creation and creating things. I get a little depressed when I am struggling to find what I know is locked inside. If it's a lyric or something that is challenging me, I can be very depressed, but when it's like heaven opens up and it gives you a song, it's amazing. There's nothing else that I enjoy more probably.
It's the way I study - to understand something by trying to work it out or, in other words, to understand something by creating it. Not creating it one hundred percent, of course; but taking a hint as to which direction to go but not remembering the details. These you work out for yourself.
I believe there is little to gain by exchanging opinions with other artists concerning either the ideology of art or technical methods. Very much alone in my work, I am almost jealous of it. Geography has no bearing on it, nor have the interests of the community in which I work.
I visualize songs like a little movie scene and I try to almost talk through the scene. What emotions am I trying to get across?
With a movie you're creating from the beginning this particular work, let's not call it work of art, because very few movies are works of art, let's just call them bits of popular culture, whatever they are, sometimes very rarely by accident a movie becomes a work of art.
Ethologists are often accused of drawing false analogies between animal and human behaviour. However, no such thing as a false analogy exists: an analogy can be more or less detailed and, hence, more or less informative.
I always try to think about what I can do to let people know that I'm just like everyone else. I have two girls here at home I'm trying to raise. I'm trying to be a good stepmom. I'm trying to stay fit and be a good model and break ground in the acting world. I'm working that same struggle every other woman is trying to work.
I always felt that my work hadn't much to do with art; my admirations for other art had very little room to show themselves in my work because I hoped that if I concentrated enough the intensity of scrutiny alone would force life into the pictures. I ignored the fact that art, after all, derives from art. Now I realize that this is the case.
You know if I see a work that really I am very affected by and inspired by then it makes me want to try things with my work that maybe I hadn't considered trying before and I think that is the biggest complement that you can pay somebody.
I will always try to be happy. I don’t think people really understand the value of happiness until they know what it’s like to be in that very, very dark place. It’s not romantic. Not even a little.
Works of art are meant to be lived with and loved, and if we try to understand them, we should try to understand them as we try to understand anyone — in order to know them better, not in order to know something else.
Joy Rains has a gift. A gift for explaining abstract concepts like meditation through clever analogies and metaphors. FOR THE FIRST TIME in my hectic, harried life I actually UNDERSTAND how meditation is supposed to work and WHY I should give it a TRY!
Related Authors
Ai Weiwei Quotes
Chinese
Artist
Andy Warhol Quotes
American
Artist
Claude Monet Quotes
French
Artist
David Hockney Quotes
English
Artist
Georgia O'Keeffe Quotes
American
Artist
Henri Matisse Quotes
French
Artist
Kehinde Wiley Quotes
American
Artist
Leonardo da Vinci Quotes
Italian
Artist
Marcel Duchamp Quotes
French
Artist
Marina Abramovic Quotes
Serbian
Artist
Maurice Sendak Quotes
American
Artist
Michelangelo Quotes
Italian
Artist
Paul Cezanne Quotes
French
Artist
Robert Genn Quotes
Canadian
Artist
Robert Henri Quotes
American
Artist
Yoko Ono Quotes
American
Artist