A Quote by Gerhard Richter

Art is always to a large extent about need, despair and hopelessness. — © Gerhard Richter
Art is always to a large extent about need, despair and hopelessness.
I have always believed that art should be a deep pleasure. I think there is a contradiction in an art of total despair, because the very fact that the art is made seems to contradict despair.
I used to despair about the condition of the world, to feel a sense of hopelessness; now I find more and more that I need to focus on what I can do, however little it is, to help others.
We all know about love, faith, sadness, despair, hope, hopelessness, longing, desire... those are things we all have inside of us, and that's what my songs are about... what it means to be a human being.
What I learned at home was despair and hopelessness. What I learned at the pictures was don't give up the ship, we have only begun to fight, it's always darkest before the dawn.
The pleasure of despair. But then, it is in despair that we find the most acute pleasure, especially when we are aware of the hopelessness of the situation... ...everything is a mess in which it is impossible to tell what's what, but that despite this impossibility and deception it still hurts you, and the less you can understand, the more it hurts.
I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
There's a kind of despair about whether art can really do anything, but you have to incorporate that despair into the way you work. I try to soak my work in my sense of futility and fury.
Terrorism really flourishes in areas of poverty, despair and hopelessness, where people see no future
Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? In some respects historical research is analogous with that of science. The bringing to light of factual material and the development of ideas is to a large extent cumulative. But when artists themselves were, from about 1910, beginning to tear down the bastions protecting Art in its ivory tower, questioning the idea of Art with a capital 'A', photography was inevitably to assume a new stature both in the eyes of artists and the public, too.
It's in despair that you find the sharpest pleasures, particularly when you are most acutely aware of the hopelessness of your position.
The law was given to drive us to despair over the hopelessness of ever being able to keep it.
Life will always be to a large extent what we ourselves make it.
A [spatial, temporal] work had only to be exhibited in a gallery and then written about and reproduced as a photograph in an art magazine. Then this record of the no longer extant installation, along with accretions of information after the fact, became the basis for its fame, and to a large extent its economic value.
There is the extreme of hopelessness and the inevitability of doom, a deep despair that comes from the sense that our industrial, consuming society is jeopardizing the planet.
We need to confront honestly the issue of scale... You may need a large corporation to run an airline or to manufacture cars, but you don't need a large corporation to raise a chicken or a hog. You don't need a large corporation to process local food or local timber and market it locally.
Only the man who has had to face despair is really convinced that he needs mercy. Those who do not want mercy never seek it. It is better to find God on the threshold of despair than to risk our lives in a complacency that has never felt the need of forgiveness. A life that is without problems may literally be more hopeless than one that always verges on despair.
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