A Quote by Gerhard Richter

I like everything that has no style: dictionaries, photographs, nature, myself and my paintings. (Because style is violent, and I am not violent.) — © Gerhard Richter
I like everything that has no style: dictionaries, photographs, nature, myself and my paintings. (Because style is violent, and I am not violent.)
Not all Muslims are violent, not all Catholics are violent. It is like a fruit salad; there's everything. There are violent persons of this religion.
French photography was basically poetic, and mine was vulgar and brash and violent, except that there's never any violence in the photographs: it's only in the photographic style.
I used to be cruel to my woman, and physically - any woman. I was a hitter. I couldn't express myself and I hit. I fought men and I hit women. That is why I am always on about peace, you see. It is the most violent people who go for love and peace. Everything's the opposite. But I sincerely believe in love and peace. I am a violent man who has learned not to be violent and regrets his violence. I will have to be a lot older before I can face in public how I treated women as a youngster.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
Love is also a very violent thing. Totally violent. Suddenly, you are, like, at this party your friends invite you to, and you meet this person, and your life is turned upside down, and the next day you can't stop thinking about them. That's violent. Hopefully, it's for the better, but it's a violent thing.
I'm not a big fan of violent movies, it's not something I like to watch. And it's not my aim or goal to make a violent movie. My characters are very important, so when I'm trying to depict a certain character in my movie, if my character is violent, it will be expressed that way in the film. You cannot really deny what a character is about. To repeat, my movie end up becoming violent, but I don't start with the intent of making violent movies.
Styles tend to not only separate men - because they have their own doctrines and then the doctrine became the gospel truth that you cannot change. But if you do not have a style, if you just say: Well, here I am as a human being, how can I express myself totally and completely? Now, that way you won't create a style, because style is a crystallization . That way, it's a process of continuing growth.
There is a report that says that kids who watch violent TV programs tend to be more violent when they grow up. But did the TV cause the violence, or do violent children preferentially enjoy watching violent programs?
'American Psycho' is violent. 'Apocalypse Now' is violent. 'Officer Downe' is a comic and not violent to me.
The Photograph is violent: not because it shows violent tings, but because on each occasion (i)it fills the sight by force(i), and because in it nothing can be refused or transformed (that we can sometimes call it mild does not contradict its violence: many say that sugar is mild, but to me sugar is violent, and I call it so).
I was raised in Washington, DC, very violent place. I grew up with violence. My introduction to music was violent. The years I've spent on tours, some of that was extremely violent.
If you look at 1983, the film of the year was 'Terms of Endearment.' 'Scarface' was lumped in under the gratuitously violent banner. I mean, we knew it was violent, that it depicted a violent time and place. But it wasn't the end-all of the thing.
I am a violent man who has learned not to be violent and regrets his violence.
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
I am a huge comic book fan, and I love everything vintage: cars, movies, music, art, and style - especially the 1950s style.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
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