A Quote by Gerhard Richter
The smudging makes the paintings a bit more complete. When they're not blurred, so many details seem wrong, and the whole thing is wrong too. Then smudging can help make the painting invincible, surreal, more enigmatic - that's how easy it is.
Related Quotes
I think that what went wrong with religion is the same thing that went wrong with politics. Is that it became too money based and too controlling. It's just a weakness that we human beings have for control - we want one thing and then we want more and then we want more.
My paintings have gotten to be pretty popular and I've taken a little bit more interest in painting the last few years. In fact, my novel that I wrote not too long ago, 'The Hornet's Nest,' I painted the cover picture for it and I do a good bit of painting now.
You've no idea how long life goes on and how many, many changes it brings. Young people seem to imagine that it's over in a flash, that they do this thing, or that thing, and then die, but I can assure you they are quite wrong.
I was born with the wrong sign
In the wrong house
With the wrong ascendancy
I took the wrong road
That led to
The wrong tendencies
I was in the wrong place
At the wrong time
For the wrong reason
And the wrong rhyme
On the wrong day
Of the wrong week
Used the wrong method
With the wrong technique
Wrong
Wrong.
I have always wanted to make paintings that are impossible to walk past, paintings that grab and hold your attention. The more you look at them, the more satisfying they become for the viewer. The more time you give to the painting, the more you get back.
If I heard it once, I’ve heard it a thousand times from Ray Hunt. He said 'make the wrong thing difficult and the right thing easy'. Then he said 'but don’t make the wrong thing impossible'. Well.....you learn from making mistakes. It’s that simple.
Before you go alter body, do some research and find out how many women have major life-threatening complications from nose jobs. Ask about how many nose jobs gone terribly wrong, and if you thought your face was wrong before, look what happens after. The more we start augmenting our bodies, the more and more we start to look alike, then nobody is special anymore.
People see so many things in the paintings. Although I never think of them, it charms me a little bit that people actually project actual scenarios on to the paintings. Hopefully that means that they have a little bit of life to them. Figuring out the rhythm, the structural element has been the key thing in this work, more than the color element. It really was the variety of different widths that lead to a certain movement, a rhythm. Otherwise I'd fall into anything that was too stripy or almost like bar codes, and it thwarted the natural flow of the painting.
I suppose when people are criticising you and saying that you are not really worthy of going to such a club as Liverpool, it gives you a little bit more drive and more desire to prove them wrong. And that can only help you in the long run: make you a little bit tougher mentally.
A lot of what I do is about being in the moment and I think that's hard for people to get. I like it when things suddenly affect the painting. I mix up this red and it affects the whole painting or this little bit of white falls down there, and something changes the whole nature of the thing. The residue on what happens, that's what's in the paintings.
It always baffles me how people can lift you up so high and make it seem like they love you then you do one thing wrong and it's all of a sudden you the devil and you evil and everything you do from then on isn't right.
There have been many, many paintings of Theseus and the Minotaur, as it is one of the more popular myths, so how could I make mine different and new? I decided it would be best to make the most dynamic painting I could. I wanted to capture the moment right before the Minotaur's horn was snapped.
Fame is foolish, it is pointless, meaningless. Even if the whole world knows you, how does it make you richer? How does it make your life more blissful? How does it help you to be more understanding, to be more aware? To be more alert, to be more alive?
Every time you make the hard, correct decision you become a bit more courageous, and every time you make the easy, wrong decision you become a bit more cowardly. If you are CEO, these choices will lead to a courageous or cowardly company.
One final thing a director needs: The ability to say 'I am wrong' or 'I was wrong.' Not as easy as it sounds. But in many situations, these 3 words, honestly spoken, will save the day.
When you have success on the field, you're more popular and you have that fame that comes with it. You realize you're in the public eye more and you've got to be a little bit more careful about some of the things you're doing out in public and make sure you're smart about the things you say. You're still going to make mistakes from time to time, but you represent an even greater population and people are that much more looking for you to be in the wrong place at the wrong time or fall down or say something really stupid that's going to get you in trouble.
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