A Quote by Gerhard Richter

If the abstract paintings show my reality, then the landscapes and still-lifes show my yearning. — © Gerhard Richter
If the abstract paintings show my reality, then the landscapes and still-lifes show my yearning.
I wanted to show painting paintings first, then the plate paintings; now I can show that I've sort of freed myself from stylistic inhibitions.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
... landscapes or still-lifes I paint in between the abstract works; they constitute about one-tenth of my production. On the one hand they are useful, because I like to work from nature - although I do use a photograph - because I think that any detail from nature has a logic I would like to see in abstraction as well.
Some people would say my paintings show a future world and maybe they do, but I paint from reality. I put several things and ideas together, and perhaps, when I have finished, it could show the future.
We didn't have reruns back then, so when the show ended we thought it was over. I'm overwhelmed by how long the show has been popular and by how many people still love it today. I still watch the reruns and just laugh! Here in Mount Airy they show the Andy Griffith Show at 3:30 in the afternoons and they call it "Andy After School", but the show wasn't just for kids, it was for everyone.
It's easy to make a reality show that's sensational but it's more challenging to make a reality show that's got a lot of heart and integrity and still keeps you enthralled and makes you want to keep watching.
I'm a filmmaker. I'm an artist. I've chosen to work in history the way someone might choose to work in still lifes or landscapes.
They asked me to do a show, and I was planning on showing my figure paintings. But my friends told me I shouldn't - the paintings were good but a little old-fashioned. They said, "Why don't you show the other stuff?" I had also been making rather strange objects, more in the Freudian tradition.
We're not trying to make a reality show at all. The show gets described sometimes as a reality show, sometimes as a prank show. I think it's neither. It's just about us, and it's just about us having a platform to be funny and do comedy, really.
Sometimes I'll dream that I saw a show and then I'll wake up in the morning and realize that I didn't see the show, that it was my dream. And I just remember what the paintings look like in the dream and I think, "Oh, nobody painted those. I can do that."
If I'm going to show cleavage or chest then I don't show leg. I show one thing. If I show leg then everything else is covered up.
I've thought my show would be a sitcom or a talk show. Never in a million years would I have thought my show would be docu-series/reality because you always think reality is something crazy.
Reality shows are a beginning for people but I don't think it's a good platform because if you see any of the reality show winners... We really had to crawl our way up and find an opportunity in the industry to become famous but a reality show can't give you that.
I'm not a reality-TV kind of guy. But it's almost like we're living in a reality show. Every day in this country, everybody keeps worrying about the deterioration of America, and it's like a big reality show.
All paintings are abstract ideas, not representations of a true reality.
I am planning a one-man art show of original Batman oil paintings that I will show in New York City.
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