A Quote by Gerhard Richter
I don't mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed.
Related Quotes
I do not mistrust reality, of which I know next to nothing, but I am suspicious regarding the image of reality which our senses convey to us, and which is incomplete and limited. Our eyes have developed such as to survive. It is merely coincidence that we can see stars with them, as well.
...if the fear of falling into error is the source of a mistrust in Science, which in the absence of any such misgivings gets on with the work itself and actually does know, it is difficult to see why, conversely, a mistrust should not be placed in this mistrust, and why we should not be concerned that this fear of erring is itself the very error.
The real essence, the internal qualities, and constitution of even the meanest object, is hid from our view; something there is inevery drop of water, every grain of sand, which it is beyond the power of human understanding to fathom or comprehend. But it is evidentthat we are influenced by false principles to that degree as to mistrust our senses, and think we know nothing of those things which we perfectly comprehend.
It is alone that part of the external universe which we call material which acts on man through his senses - that part of which we ordinarily feel our knowledge to be the surest; but in reality, strangely enough, as will soon appear, this is one of the aspects of the external world, of which we can know nothing.
In our daily lives we attend primarily to that which the senses are spelling out for us: to what the eyes perceive, to what the fingers touch. Reality to us is thinghood , consisting of substances that occupy space; even God is conceived by most of us as a thing. The result of our thinginess is our blindness to all reality that fails to identify itself as a thing, as a matter of fact.
...You know the mistrust of heights is the mistrust of self, you don't know whether you're going to jump.
The older I grow the more sharply I mistrust words. So few of them have any meaning left. It is impossible to write one sentence in which every word has the bareness and hardness of bones, the reality of the skeleton.
Poles have a mistrust of the West and an even deeper mistrust of the East.
What I want to show in my work is the idea which hides itself behind so-called reality. I am seeking for the bridge which leans from the visible to the invisible through reality. It may sound paradoxical, but it is in fact reality which forms the mystery of our existence.
The demands of our reality function require that we adapt to reality, that we constitute ourselves as a reality and that we manufacture works which are realities. But doesn't reverie, by its very essence, liberate us from the reality function? From the moment it is considered in all its simplicity, it is perfectly evident that reverie bears witness to a normal useful irreality function which keeps the human psyche on the fringe of all the brutality of a hostile and foreign non-self.
I mistrust these people in music industry who can be everybody. This is where technology dictates to them. I mistrust that, that in somehow the chips capture the soul of a player, that's patent nonsense.
There is no way reality can be prevented from flowing the way it
flows. It is our vain attempts to force it to flow in the service
of our imaginary needs which sets us in painful conflict with our-
selves and nature. You are not separate from the flowing reality;
you are that flowing reality. See this and you will not see any-
thing else which conflicts with it. You will be what you see.
In general, in all my films, I choose to create a certain mistrust, rather than claiming that what I'm showing onscreen is an accurate reproduction of reality. I want people to question what they are seeing onscreen. In the same way as I used the narrator, I also used black and white, because it creates a distance toward what's being seen. I see the film as an artifact rather than a reliable reconstruction of a reality that we cannot know.
Too many Americans mistrust their government. And unnecessary government secrecy feeds this mistrust.
"Ultimate reality" is the highest, deepest, eternal, unchangeable, source and ground of everything we see, touch, and experience with our five senses. It's that which gives being and meaning to everything finite, mortal, changeable. It's also that toward which we creatures look and live - whether we know it or not - our telos; our goal and purpose.
Now, since our condition accommodates things to itself, and transforms them according to itself, we no longer know things in their reality; for nothing comes to us that is not altered and falsified by our Senses. When the compass, the square, and the rule are untrue, all the calculations drawn from them, all the buildings erected by their measure, are of necessity also defective and out of plumb. The uncertainty of our senses renders uncertain everything that they produce.
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