A Quote by Gerhard Richter

As a matter of fact, it was only through the dealer Fred Jahn that I succeeded in overcoming my reservation about the works on paper and exhibiting them. Added to this, of course, was the fact that after ten years I could see the watercolours in a different light, and in conjunction with pictures painted afterwards, they had at least become more comprehensible to me.
As a young man you don't notice at all that you were, after all, badly affected. For years afterwards, at least ten years, I kept getting these dreams, in which I had to crawl through ruined houses, along passages I could hardly get through.
I remember on page one of The New York Times the article about Fred Leuchter. The heading was "Can Capital Punishment Be Humane" and it was the story about an electric chair repairman and execution machine designer. And then buried in the back of the paper was the fact that Fred Leuchter had also been involved in holocaust denial.
The fact that people still talk and obsess about 'Twin Peaks', more than twenty years after the fact, is a great validation for what we thought we had going at the time.
He Is looking at me through the smoke, across the fence. He never takes his eyes off me. His hair Is a crown of leaves, of thorns, of flames. His eyes are blazing with light, more light than all the lights in every city in the whole world, more light than we could ever invent If we had ten thousand billion years.
Since Christianity is in fact a slave religion, it is satirical at least to see the negro adopt a slave religion, after chattel slavery was ended. It simply underlines the fact that consciously or unconsciously, weak humans desire the status of sheep, no matter what they say.
Say what you will about the ten commandments, you must always come back to the pleasant fact that there are only ten of them.
Pro-choice and pro-life activists live in different worlds, and the scope of their lives, as both adults and children, fortifies them in their belief that their own views on abortion are the more correct, the more moral, and more reasonable. When added to this is the fact that should 'the other side' win, one group of women will see the very real devaluation of their lives and life resources, it is not surprising that the abortion debate has generated so much heat and so little light.
I think Michael Heizer and Walter De Maria had a love-hate relationship because they both had a lot in common. But inevitably one would get more publicity than another. Of course, Robert Smithson's gotten so much attention through the years. One of the reasons is not only that his work is quite wonderful, but the fact that he was a writer himself.
We haven’t met for many years, said Daisy, her voice as matter-of-fact as it could ever be. "Five years next November." The automatic quality set us all back at least another minute.
Every philharmonic orchestra merely interprets the composer. My goal was to create new music by that composer. In doing so, I wanted to find the painter's creative center and become familiar with it, so that I could see through his eyes how his paintings came about and, of course, see the new picture I was painting through his eyes - before I even painted it.
A lot of my movies have come to be thought about only years after the fact, and I'm sad about that but also happy about it in a way, as it's given them longevity.
I am more famed in Heaven for my works than I could well conceive. In my brain are studies & chambers filled with books & pictures of old, which I wrote and painted in ages of Eternity before my mortal life; and whose works are the delight & study of Archangels. Why, then, should I be anxious about the riches or fame of mortality?
The creation lives as genesis beneath the visible surface of the work. All intelligent people see this after the fact, but only the creative see it before the fact - in the future.
I think it is the fact that I want to quit that keeps me going. It's very complicated. But I think part of this whole exploration with every job that I do is, in terms of overcoming fear and by overcoming the fear, I feel so much more complete, and I learn something new about myself.
Most artists, or at least most of the ones I know, deny having a philosophical outlook that they try to translate into their works. Some had thought of the work of Cezanne and others as being a 'painted epistemology.' But Cezanne himself denied this and Daniel-Henri Kahnwiler, the art critic and art dealer, insisted that none of the many painters he had known had a philosophical culture.
I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience. With these abstract pictures, although the eye recognizes them as photographic rather than painted, the eye also tries to connect them to reality. There's always this association machine working in the brain, and that is why it is important to me that they are actually photographic and not painted.
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