A Quote by Gerhard Richter
When we describe a process, or make out an invoice, or photograph a tree, we create models; without them we would know nothing of reality and would be animals.
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How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
Without the letters of condolence, telegrams of congratulations and even occasional postcards, the friendship of a separated friend is not a social reality. It has no existence without the rites of friendship. Social rituals create a reality which would be nothing without them.
You create your reality. You will find this freedom by learning
to look inward, and by realizing that you create the reality that
you know. There are no exceptions to this rule. Your successes
and your failures alike, you have yourselves created. If you
would but understand, this is the truth that would make you free.
I slowly began making a few photos with animals over the years, and I liked how people reacted to them. When I would have the animals on set, I'd notice the way the models would interact with them and there was so much true emotion that you rarely see between two human beings.
If you can create a reality that is entirely fictitious, it doesn't owe anything to this stuff out here, but you interact with it on your own terms. I mean, if you took it to the point where finally you get, say, tactile feedback, so you were wired in in terms of the whole nervous system. The sensorium. You would have the ultimate art form. I mean, any painter would want it, any filmmaker would want access to it you know, any musician would want access to it. It would eliminate the need for the divisions between what we describe as the arts, converting the whole thing to experience.
Reality cannot be photographed or represented. We can only create a new reality. And my dilemma is how to make art out of a reality that most of us would rather ignore. How do you make art when the world is in such a state? My answer has been to make mistakes, but when I can, to choose them. We are all guilt victims choosing mistakes, and as Godard said, the very definition of the human condition is in the mise-en-scéne itself.
I could learn photography. That could be something to want. I could photograph children. I could have my own children. I would give them yellow roses. And if they got too loud, I would just put them some place quiet. Put them in the oven. And I would kiss them every day, and tell them you don't have to be anybody, because I would know that being somebody doesn't make you anybody anyway.
It would be possible to describe everything scientifically, but it would make no sense; it would be without meaning, as if you described a Beethoven symphony as a variation of wave pressure.
An absolute being would be irrelevant to the world, as it couldn't create it. Any action, or causal process that would involve them, would make them relational. An absolute is the opposite of relative. So that's easy to understand, however, even though we understand that intellectually, which is very important to do, you don't transform yourself completely, yet.
Those that would say Satanist would like to kill animal's, sacrifice animals I would say they would make ideal animal sacrifices, I love animals and animals have always been part of me.
There's a tree that grows in Brooklyn. Some people call it the Tree of Heaven. No matter where its seed falls, it makes a tree which struggles to reach the sky. It grows in boarded-up lots and out of neglected rubbish heaps. It grows up out of cellar gratings. It is the only tree that grows out of cement. It grows lushly . . . survives without sun, water, and seemingly without earth. It would be considered beautiful except that there are too many of it.
Until now, physical theories have been regarded as merely models with approximately describe the reality of nature. As the models improve, so the fit between theory and reality gets closer. Some physicists are now claiming that supergravity is the reality, that the model and the real world are in mathematically perfect accord.
Copyright is fundamentally socialist - it is radical and redistributive, subversive even. How else would you describe a form of property that anyone can create out of nothing?
To describe love-making is immoral and immodest; you know it is. To describe it as it really is, or would appear to you and me as lookers-on, would be to describe the most dreary farce, to chronicle the most tautological twaddle. To take note of sighs, hand-squeezes, looks at the moon, and so forth--does this business become our dignity as historians? Come away from those foolish young people--they don't want us; and dreary as their farce is, and tautological as their twaddle, you may be sure it amuses them, and that they are happy enough without us.
I would always change my Barbies. I'd cut their hair, paint on tattoos, and create new clothes for them. I would invent elaborate stories: fights, dramas, successes. I would try out my ideas on them. And sometimes they would sing!
I know how to create and make people feel something. Honestly, if I didn't do this, I would just have some minimum-wage job in New Mexico, and I would go out on the weekends and make just enough money to pay my insurance and pay for a couple beers, and that would be it.
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