A Quote by Gerhard Richter

Now that we do not have priests and philosophers any more, artists are the most important people in the world. — © Gerhard Richter
Now that we do not have priests and philosophers any more, artists are the most important people in the world.
Now there are no priests or philosophers left, artists are the most important people in the world.
I think one reason is that philosophers are more insecure to speak accessibly because non-philosophers are skeptical that philosophers have any special expertise. After all, all people - not just philosophers - have attitudes and points of view on various philosophical questions, and they rather resent being told that there are professionals who can think about these things better.
Some of the most intelligent people I've met in my life are priests and pastors; now, a lot of them aren't that, though. Some of the most sanctimonious and hypocritical people I've met are priests and pastors, also.
I have told somebody in court that 'I understand yours is the most important case in the world, and I'm trying to treat it as the most important case in the world, but five minutes from now I'm going to be dealing with the next person's most important case in the world.' For every litigant, theirs is the most important case.
I think what really separates artists from the rest of the world is that artists feel like they have permission to keep exploring and expressing their process. Most people censor that because they don't think it's good enough. Everything is measured against this patriarchal hierarchy of value, as if one person's singing voice is more important than another's.
The philosopher has never killed any priests, whereas the priest has killed a great many philosophers.
Our civilized world is nothing but a great masquerade. You encounter knights, parsons, soldiers, doctors, lawyers, priests, philosophers and a thousand more: but they are not what they appear - they are merely masks... Usually, as I say, there is nothing but industrialists, businessmen and speculators concealed behind all these masks.
Jacobins, I have a truth to tell you. You do not know your most deadly enemies; they are the constitutional priests. It is they who protest most in the provinces against anarchists, disorganisers, Dantonism, Robespierrism, Jacobinism... Do not cherish any longer the popular errors; cut at the roots of superstition! Declare openly that the priests are your enemies.
Priests and pastors are probably the most stereotyped characters in film and television, and the reason why, I think, is that most people don't know one. Most writers who work in Hollywood don't know any.
As is well known, the priests are the most evil enemies—but why? Because they are the most impotent. It is because of their impotence that in them hatred grows to monstrous and uncanny proportions, to the most spiritual and poisonous kind of hatred. The truly great haters in world history have always been priests; likewise the most ingenious haters: other kinds of spirit hardly come into consideration when compared with the spirit of priestly vengefulness.
What's important is that you stay true to yourself. Because when you enter the real world, the most valuable thing you can bring is all your you-ness. The world doesn't need any more hot chicks or tough guys or smooth talkers - the world needs more you. And don't let anyone tell you otherwise.
I'm interested in the fact that comics are people who are oddly courageous in their desire and their commitment to sacrificing any sense of normalcy in their lives, any sense of security, and most of them are oddly unique individuals. Let's have a broader conversation with people that have spent their last however-many-years thinking about their lives. I mean, they're philosophers. They're poets. They're people who are on the outside looking in at the world through a different set of values.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
A couple of hundred years from now, maybe [science fiction writers] Isaac Asimov and Fred Pohl will be considered the important philosophers of the twentieth century, and the professional philosophers will almost all be forgotten, because they're just shallow and wrong, and their ideas aren't very powerful.
The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving.
To be clear, people are the most important part of any classroom. If given the choice between a great teacher and the world's most advanced education technology, I'd pick the teacher any day for my own children.
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