A Quote by Geri Halliwell

I do get scared, but I think - like it says in another book I've read - feel the fear and do it anyway. I try to have courage, pray a little bit and work through it. I'd rather try, even if I fail.
If you think you cannot do it, you set yourself up to fail anyway. Maybe it will take one more try to do it, and that is what life is about. If you don't get it right on the first try, you try again. You keep doing it and doing it until you find success!
You can never come back fresher after the all-star break. I always try to do what I do, try to take care of my body, get some weights in, feel a little bit stronger and ready to push through 25 games.
I managed to get my copy of Ulysses through safely this time. I rather wish I had never read it. It gives me an inferiority complex. When I read a book like that and then come back to my own work, I feel like a eunuch who has taken a course in voice production.
I trained with a few Olympic runners and jumpers. Just to try to get a little bit faster, a little bit better. Anything I could do to try to get a little bit better and stay ahead of the competition.
If we have plain old ordinary fear then we are within reach of a solution. Fear has been with humankind for millennia and we do know what to do about it-pray about it, talk about it, feel the fear, and do it anyway. Artistic fear, on the other hand, sounds somehow nastier and more virulent, like it just might not yield to ordinary solutions-and yet it does, the moment we become humble enough to try ordinary solutions.
The fear of rejection really kind of stunts your growth as a person. I mean, it's like a friend of mine says, who cares if you fail? Who cares if you fail? It's like babies try to get up and walk all the time and they keep falling down. If we just gave up, we'd all be crawling around.
Most actors try to do as many different things as possible. I like the encouragement I get from doing new things. I like to feel scared or challenged in the hope that I can pull it off. That little bit of fear creates an energy that I can channel into the performance. And you have to keep tapping new parts of yourself, keep working or you never improve. The only way to improve is to set yourself harder goals.
I want to diversify a bit. I don't wanna throw myself into another big blockbuster or another big franchise anytime soon. So smaller films, just small little interesting parts, I think I'd even like to play around with some really good supporting roles and then develop into - I don't know just like feel my way into it a bit more. I don't know, I'd love to try some theater. That's my other thing. I'd love to do some Shakespeare.
If anyone can overcome a fear for the ocean, you can, little lady. Courage is being scared to death and saddlin' up anyway.
I try to get that across in the work, to try to, if I'm lucky, to make this world a little bit better for all of us before I check out. And that's if I'm lucky, I don't always get to have that privilege but I try always.
Some days, I think maybe we should try and be a little more conventional, but every time I try, I fail, so I'm learning to not even entertain that thought anymore.
I like the encouragement I get from doing new things. I like to feel scared or challenged in the hope that I can pull it off. That little bit of fear creates an energy that I can channel into the performance.
Surely, in the light of history, it is more intelligent to hope rather than to fear, to try rather than not to try. For one thing we know beyond all doubt: nothing has ever been achieved by the person who says: it can't be done.
Even in the minor leagues, I just said I'll get my little bit of time in here and then get out of here. I was going to try, though. I wasn't going to just give up. I was always going to try. I'm here. I figured I might as well try.
If I just wear something because I feel like myself and I'm comfortable, that's okay - and that goes even for more edgy things. But if I try too much, or if I even try, it doesn't work. It doesn't feel natural, and I feel very uncomfortable.
A lot of film directors are quite scared of actors. They are a bit of a nightmare sometimes, but I like them. It looks like cunning, but you try to get extra things from them all the time, by stealth, by making them feel confident, so they trust you and you can push a bit.
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