A Quote by Germaine Greer

No one goes to the toilet in novels. You'd think none of us had bladders. — © Germaine Greer
No one goes to the toilet in novels. You'd think none of us had bladders.
We actually had a toilet on the sideline in college. We had like a little mini-toilet; we'd go and flush it.
I would have loved to have been a rock n' roll star. But none of us was musical, and none of us had any instruments.
It was the ponderous battering ram of his novels that opened the way through the genteel reticences of American nineteenth-century fiction. . . Without [Theodore] Dreiser's treading out a path for naturalism none of us would have had a chance to publish.
How'd we come up with the robe? Was some guy just like, 'Hey, I've got an idea! Why don't we make a coat out of a towel? You can have a little belt that goes around. You could dunk the belt in the toilet! Have a toilet belt.'
Think of all the nonsense you had to learn in psychology courses. None of which was testable. None of which was measurable. We had behaviorism, Freudian psychology, all of these theories that you learn in psychology. Totally untestable. Now, we can test it, because physics allows us to calculate energy flows in the brain.
None of us went to university, none of us went to college, none of us played in a different band before, none of us done anything. We were the last great band to come out of nowhere, on an indie label. We've sold 50 million records. That's still the benchmark. Until someone does what we've done, I'll always consider myself the last big songwriter
What was wrong with train toilet doors that just locked, instead of this multiple choice system? If anything goes wrong, you'll be sitting there while the whole toilet wall slowly slides away, unveiling you like a prize on a quiz show. For 500 points, a shitting woman!
I do not think novels are necessarily more worthwhile than games. A novel can be a trivial waste of time, and a game can teach. Whatever the genre, I think a successful narrative allows us to participate, to try on new roles and points of view. At their best, novels and games serve as vehicles for discovery.
As he flushed, an unexpected realization hit him. This is the Pope's toilet, he thought. I just took a leak in the Pope's toilet. He had to chuckle. The Holy Throne.
I think that Phish has been a band, we've all had- I've had a great life growing up and everybody in my band's had a really good life, none of us have got anything to complain about at all.
He's a funny man, Dumbledore. I think he sort of wanted to give me a chance. I think he knows more or less everything that goes on here, you know. I reckon he had a pretty good idea we were going to try, and instead of stopping us, he just taught us enough to help. I don't think it was an accident he let me find out how the Mirror worked. It's almost like he thought I had the right to face Voldemort if I could.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I always wanted to write novels, even before I had read a lot of novels or had a very good idea of what they were.
You've got to think, when we started our band, none of us had a computer until we were 21.
The first beat that I ever made that I thought was actually worth a damn was called 'Toilet Paper Nostrils,' and I made it when I had a cold. I had the worst cold ever. And I had toilet-paper nostrils making music, but it was really reflective of how I felt. It was a really sad trumpet sound.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
This site uses cookies to ensure you get the best experience. More info...
Got it!